It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 15, 2016, 07:17 AM
http://designingsound.org/2016/02/sunday-sound-tho...
As the year continues, many of these posts will be phil […]
February 15, 2016, 07:16 AM
http://www.redsharknews.com/business/item/3240-opi...
It’s now two months to NAB and I’m going to tell you what I hope not to see there. NAB 2016Camerascamera developmenthypeproduct cycles
February 15, 2016, 07:16 AM
http://blogs.adobe.com/davtechtable/2016/02/whats-...
This update provides a number of bug fixes reported by users (these are listed below) that we’ve addressed (many thanks to those of your that submitted bug reports) . In addition to the bug fixes , we’ve also added a new Feature found under the “Wrench Menu” on the Program or Source Monitor that when you Toggle it on the new High Quality Playback setting can provide a smoother viewing experience, where playback better matches the image quality of frames when paused. High Quality pla...
February 15, 2016, 07:16 AM
Jami works at Bungie in Seattle, WA well known for Halo and Destiny among other high profile projects. This episode we dive into her role at Bungie on Destiny, as well as her experiences graduating from college and going into video games, and how she managed to literally walk into a job at Bungie and a lot of the key reasons behind that which I think is really fascinating. As well as sharing her own female perspective of working in the video game industry as well.
February 15, 2016, 07:16 AM
http://filmmakermagazine.com/96090-look-into-the-c...
From classical Hollywood continuity editing to Eisensteinian montage, from the quick jump cuts of the French New Wave to the even more accelerated and spatially destabilized editing of the Hollywood blockbuster, filmmakers from the dawn of cinema have had to embrace, even if only on a subconscious level, some theory of editing. What, then, of today’s nascent medium of Virtual Reality (VR)?
February 15, 2016, 07:15 AM
http://www.theverge.com/2016/2/13/10981366/deadpoo...
Deadpool is a pretty singular character in comics. He’s a mercenary who revels in over-the-top ultra-violence, but he loves chimichangas and breaking the fourth wall for comedic effect. He never shuts up, and being supernaturally self-aware gives him the ability to wink at the audience, letting them know that the rules governing good sense and even good storytelling don’t really apply to him. His ability to playfully subvert convention makes him stand out, but it’s also why a Deadpool movi...
February 15, 2016, 07:15 AM
http://www.thehollywoodnews.com/2016/02/15/bafta-f...
The stars were out in force in London last night for this year’s EE BAFTA Film Awards. We were there on the red carpet, and you can see our coverage at the end of the link above.
February 15, 2016, 07:15 AM
http://deadline.com/2016/02/bafta-awards-2016-winn...
Fox’s The Revenant took charge of the marquee categories to take a leading five wins including Best Film and Best Actor for Leonardo DiCaprio at the BAFTA Film Awards tonight at the Royal Opera House in London’s Covent Garden. Director Alejandro G Iñárritu, who missed out here last year with Birdman (though he made up for it at the Oscars), won the Director prize this time. Cinematographer Emmanuel Lubezki won for a third consecutive year, and the pic also nabbed the Sound award.
February 15, 2016, 07:15 AM
http://www.artofvfx.com/bafta-2016-special-visual-...
BAFTA 2016 have announced the winner for Special Visual Effects...
February 15, 2016, 07:14 AM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Starting a new CG Garage series, Daniel Thron and Christopher Nichols discuss movies. We start with an in depth look at the Star Wars saga. We discuss why we each think that Empire is the best of all present 7 movies. Daniel also tells us his version of that Episode 6 should have been and why they have been trying to correct from their “mistake” ever since. We hope to do many more of these.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.