To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Animal Logic's work on The Divergent Series: Alleg

June 9, 2016, 12:20 PM

https://vimeo.com/167695106

Having designed some key sequences and effects for Insurgent, the previous film in the Divergent Trilogy, Animal Logic was awarded with over 250 shots for Allegiant.

Film Editing with Razer Naga Chroma Gaming Mouse

June 9, 2016, 08:01 AM

http://jonnyelwyn.co.uk/film-and-video-editing/fil...

Film Editor Eddie Hamilton loves to use a Razer Naga Chroma programmable gaming mouse and so do the assistants who work with him. Download all their shortcut settings in this review of the editing peripheral that can speed up your edit, like a pro!

#editing gear#editing tools#eddie hamilton#razer gaming mouse
What Does an Online Editor Do?

June 9, 2016, 06:44 AM

http://jonnyelwyn.co.uk/film-and-video-editing/wha...

If you think the days of online editors are behind us, think again. Discover what an online editors creative and technical challenges are - and how to solve them - in this detailed interview with VK Shah, Senior Online Editor at Trailer Park, Hollywood.

#compositing#colour grading#online editing#online editor#trailer park
The Art of Titles in Movies

June 9, 2016, 06:43 AM

http://www.fubiz.net/2016/06/09/the-art-of-titles-...

Movies & Titles est un Tumblr qui capture la première apparition d’un titre, au début d’un film. La liste est vaste et les styles sont variés, avec des design titles très vintage, d’autres plutôt conceptuels, qui figent une époque. A travers ces images, on prend conscience que le titrage est un art à part entière qui donne le ton dès les premières minutes d’un film qui démarre. Parmi ces films, on retrouve Drive, True Romance, Boyhood, Blue Valentine, Submarine, Mud, Jurassic ...

June 8, 2016, 02:16 PM

http://www.provideocoalition.com/p34478/

Leo Trombetta, ACE has professional credits dating back into the mid 1980s and has been in the editor’s chair since the early 1990s. He has edited more than a dozen feature films, like “Twin Falls Idaho” and a range of TV shows like WB’s “Roswell,” Michael Mann’s “Luck” for HBO, AMC’s “Mad Men,” FOX’s “Wayward The post ART OF THE CUT with editor Leo Trombetta, ACE of “Mad Men” “Narcos” “Roswell” and “Luck” appeared first on ProVideo Coalition.

Vinyl (2016)

June 8, 2016, 04:28 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“I'd offer you a drink, but you're an asshole.” — Richie Finestra ...

Getting Started With EditStock Projects

June 8, 2016, 04:27 AM

http://editstock.com/blogs/all/117359109-getting-s...

Getting Started With an EditStock Project   Set Your Personal Development Goal   If there’s one thing I’ve learned from my many years in the film industry it’s that mastering any skill takes time. The best editor’s, colorists, and visual effects artists have all worked obsessively at their craft for years. There are no shortcuts to gaining this experience. The road to mastery of any skill begins with a first step; practicing.      If you're reading this article you'v...

The Tech Behind Bebop and Rocksteady’s Return

June 8, 2016, 04:27 AM

http://www.cartoonbrew.com/feature-film/tech-behin...

But two of the brashest—and possibly funniest—characters in the Turtles franchise, Bebop and Rocksteady, were brought to life with more of a combination of vfx techniques: on-set motion capture and video reference, additional mocap at ILM, and keyframe animation. Cartoon Brew finds out more from Out of the Shadows visual effects supervisor Pablo Helman.

Videoguys Recommended Laptops for Video Editing an

June 7, 2016, 12:24 PM

http://www.videoguys.com/blog/videoguys-recommende...

We get asked all the time about what laptops we recommend for video editing and live video streaming. In the past we would only get asked about editing, but today more and more people want to start producing live video streaming to YouTube Live, Ustream, Twitch etc. They want to create productions with lots of Read More The post Videoguys Recommended Laptops for Video Editing and Live Production appeared first on Videoguys Blog.

Post Production is a Kung Fu Movie

June 7, 2016, 09:18 AM

http://endcrawl.com/blog/post-production-is-a-kung...

Every post facility is a dojo unto itself. Each dojo practices its own style: different workflows, different tech, different philosophies. Some dojos have famous sifus. They all employ eager practitioners who diligently memorize their Katas.

1 29 30 31 32 33 496

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.