To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Uncategorized
Red Giant & Adobe CC 2015.1
December 7, 2015, 06:27 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Hi Folks - Last week, Adobe released an update to Creative Cloud (CC2015.1) including Adobe After Effects CC 2015 (13.6) and Premiere Pro CC 2015.1. We have tested all of out software, and, with todays update to Magic Bullet Suite 13, we are fully-compatible with CC 2015.1. Get the free update HERE, or update through Red Giant Link. The post Red Giant & Adobe CC 2015.1 appeared first on Red Giant.
2015 ‘Ellie’ Awards Winners
December 7, 2015, 06:26 PM
http://www.screeneditors.com.au/ellie-awards-2015-...
The Australian Screen Editors Guild proudly congratulate the winners of the 2015 Australian Screen Editors Guild ‘Ellie’ Awards (winners in red) Feature Film Dany Cooper ASE, Holding the Man Ben Joss, Is This the Real World David Ngo, One Eyed Girl Nick Meyers ASE, Paper Planes Short Film Agnes Baginska, Milkmaid Danielle […]
When video editors need to deliver a CALM-complain
December 7, 2015, 06:26 PM
http://postperspective.com/video-editors-need-deli...
Outpost Worldwide is a Kansas City-based production and post company that creates content for a variety of TV series, network game shows, reality shows, commercials and corporate videos. Their television work includes shows like Strange: Exorcist, Garden Earth and Project Runway Latin America. Documentaries they have worked on include The Barber’s Diaries, No Shortcuts and Let Freedom Ring. Films include Fight Night, Dogs of Eden and Last Ounce of Courage. With the passage of the CALM....
20 VFX Contenders Advance in Oscar Race
December 7, 2015, 06:26 PM
http://www.animationmagazine.net/events/20-vfx-con...
The Academy has announced 20 films that will advance to the short-listing round in the Best Visual Effects Oscar race for the 88th Academy Awards.
SIGGRAPH 2016 Now Accepting Submissions
December 7, 2015, 06:26 PM
http://www.awn.com/news/siggraph-2016-now-acceptin...
CHICAGO -- SIGGRAPH 2016 has opened its call for submissions to invite scholars, innovators, and creative practitioners in various existing and/or emerging communities within computer graphics and interactive techniques to showcase their expertise and unique technical and creative innovations this summer. The event marks the 43rd International Conference and Exhibition on Computer Graphics and Interactive Techniques, and will be held July 24-28, 2016 in Anaheim, California.
‘Room’ Editor Nathan Nugent Interview
December 7, 2015, 06:25 PM
http://deadline.com/2015/12/nathan-nugent-editor-r...
Irish-born editor Nathan Nugent always is up for a challenge. He’s collaborated with director Lenny Abrahamson on his last three features, including the heavily dramatic What Richard Did, the tonally complex Michael Fassbender-vehicle Frank, and now Room, which presented the most logistically challenging edit to date. In the film, Brie Larson portrays a young woman who was kidnapped and held captive in a garden shed by a predator for seven years.
FilmLight’s colour science insight welcomed by E
December 7, 2015, 06:25 PM
https://news.creativecow.net/story/880318
(London, UK--December 7, 2015) Rotor Film, the post production provider founded in 2011 and housed in the historic Studio Babelsberg in Potsdam, just launched the most advanced grading and mixing theatre in Europe. The theatre features high-performance colour grading from Baselight, Auro 3D and Dolby Atmos audio mixing and monitoring, plus a Barco 4K 60fps projector.
Color Grading Insight From Pro Colorist Alexis Van
December 7, 2015, 01:35 PM
http://www.premiumbeat.com/blog/color-grading-insi...
We interviewed pro colorist Alexis Van Hurkman and asked him to share how an aspiring colorist can tap into the competitive world of color grading.
The pipeline experts behind Shotgun’s ‘Two Guy
December 7, 2015, 01:35 PM
http://postperspective.com/pipeline-experts-behind...
Jeff Beeland and Josh Tomlinson know pipelines, and we are not exaggerating. Beeland was a pipeline TD, lead pipeline TD and pipeline supervisor at Rhythm and Hues Studios for over nine years. After that, he was pipeline supervisor at Blur Studio for over two years. Tomlinson followed a similar path, working in the pipeline department at R&H starting in 2003. In 2010 he moved over to the software group at within the studio and helped develop its proprietary toolset. In 2014 he took a job as...
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