It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 3, 2012, 02:19 PM
http://www.tvtechnology.com/article/bluefishcraige...
In the production market, the two workflow trends I see as continuing to gather speed are the adoption of 4K resolutions and the increased use of camera manufacturer's RAW formats. 4K resolutions have been around awhile, but there have been very few native 4K monitoring options. This is starting to change quickly.
September 3, 2012, 02:18 PM
http://www.tvtechnology.com/article/pbs-ngis-adopt...
ARLINGTON, VA.-The decade-long buildout of the Next Generation Interconnection System at PBS is currently on track to mark its latest milestone on Sept. 17 when the public network converts the totality of its satellite distribution equipment from MPEG-2 to MPEG-4. The overall NGIS project is projected to be fully completed by late 2016.
September 3, 2012, 02:17 PM
http://www.macprovideo.com/hub/final-cut/a-guide-t...
Even if the edit looks good, the shots themselves probably need a little work. Lighting changes from shot to shot, cameras left on auto white balance change their minds, and different cameras often interpret the world slightly differently. Your first job should be to make the shots match in exposure, and then color.
September 3, 2012, 08:09 AM
http://jonnyelwyn.co.uk/film-and-video-editing/tac...
Inside two difficult edits As an editor I'm always on the look out for other editors talking about their craft, and often the most interesting stories are how they solved the problems that inevitably appear. Thanks to Twitter two such...
September 3, 2012, 08:09 AM
http://jonnyelwyn.co.uk/tutorials-for-film-post-pr...
DaVinci Resolve 9 Tutorials Warren Eagles from the ICA has recently posted these two tutorials on DaVinci Resolve 9. The first 'tutorial' is actually Warren talking through his 5 favourite new features in V9 of the software and the second...
September 3, 2012, 08:09 AM
http://fcp.co/final-cut-pro/news/912-create-custom...
We have featured ReelPath's plugins here before on FCP.co, but only came across Star Wizard whilst researching for another story. ReelPath has released a custom USD25 Final Cut Pro X particle generator to give you stars, sparkles, trails and more.
September 3, 2012, 08:04 AM
http://provideocoalition.com/index.php/motiongraph...
Thanks to the new 3D capabilities of After Effects CS6, you can create and animate 3D cogs and gears inside of After Effects without the need for a true 3D program.
September 3, 2012, 08:04 AM
http://provideocoalition.com/index.php/motiongraph...
Sometimes jobs turn out to be more complicated than you expect them to. Animating cogs and gears can be like that - it sounds like a nice idea, it's easy enough to arrange some stock photos of cogs together on a storyboard, but as soon as you try to animate them then things can turn pear shaped.
September 3, 2012, 08:01 AM
http://cineblur.com/handheld-camera/
Ah, ye ol' handheld look. Personally, I love the handheld look in films. If you have a clip that was shot on a tripod, or motion graphics that you want to add realistic motion to, you can easily add handheld "shake" with this simple After Effects preset.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.