It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 13, 2016, 04:14 AM
http://www.digitalartsonline.co.uk/news/creative-s...
In the next few months, Adobe is going to release updates to the video editing and effects tools within Creative Cloud: Premiere Pro, After Effects, Character Animator and Audition. The company is showing off the features at next week’s NAB exhibition in Las Vegas.
April 12, 2016, 06:43 PM
http://postperspective.com/frame-ios-emery-wells-t...
In this business, collaboration is key. And without a strong system in place, chaos ensues, things get missed and time and money is wasted. The makers of Frame.io, a video review, sharing and collaboration platform, know that first hand, having been hands-on post pros. Recently, they came out with a realtime tool for Adobe Premiere Pro, Continue reading →April 12, 2016
April 12, 2016, 06:42 PM
http://renderplease.com/post/142692999885
I’m like:
April 12, 2016, 12:29 PM
https://journaldunemonteuse.wordpress.com/2016/04/...
Aujourd’hui se pose la question du personnage, dans un film documentaire, aux propos que je ne partage pas, voir même aux propos très antipathiques. Pourtant cet homme a droit à la parole, de surcroît dans ce film. La question est … Lire la suite →
April 12, 2016, 12:29 PM
http://www.karenschmeer.com/blog/2016/4/12/manhatt...
Check out Manhattan Edit Workshop's "15 Questions with Eileen Meyer" to find out what films have inspired her, what she does when she's stuck on a scene and more: Manhattan Edit Workshop congratulates Eileen Meyer, winner of the 2016 Karen Schmeer Fellowship! Eileen completed the MEWShop Six-Week Workshop in the fall of 2011. We caught up with her to chat about her achievements since, including a Cinema Eye Honors "Outstanding A...
April 12, 2016, 12:27 PM
http://www.npr.org/2016/04/11/473850587/encore-mad...
NPR's Ari Shapiro talks with Margaret Sixel, Oscar-winning editor of Mad Max: Fury Road. This story originally aired on Feb. 15, 2016, on All Things Considered.
April 12, 2016, 09:20 AM
http://www.youtube.com/watch?v=oG13INBDKBA
Artist in Residence - Christopher Tellefsen, ACE - "Changing Lanes." For more information on Manhattan Edit Workshop's 6 Week Editing Intensive and Artist In Residence program please visit: mewshop.com/six_week_workshop/ Christopher Tellefsen, ACE has worked with some of the finest writers and directors on critically lauded films such as "Gummo", "Smoke" and Larry Clark's "Kids". In 2005 he edited Golden Globe winner and Oscar nominee "Capote." The film A Guide to Recognizing ...
April 12, 2016, 09:19 AM
http://www.redsharknews.com/post/item/3382-caption...
Captioning is something that has always been an issue in post production. It doesn't make sense to tie up an edit suite and editor to do it, so sending it to a specialist subtitling department is the usual option. There are alternatives, though. subtitlestranscriptionforsceneTake1captions
April 12, 2016, 05:56 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“How can you be an artist and not reflect the times?” — Nina Simone ...
April 11, 2016, 04:23 PM
http://editorunderconstruction.blogspot.com/2016/0...
While editing, via Cuba-Mexico, a project entitled Aint love grand? I got this funny message:
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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