To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

I need a job!

July 1, 2011, 10:03 AM

http://avidassteditor.com/2011/06/30/i-need-a-job/

If you are in the post-production world, you know an assistant editor. It would be impossible not to know one. It would be the equivalent of living without oxygen. It can't be done and you don't know any one who can. Let me rephrase that. Any person just in case there is some organism out [...]

Alex Lindsay, Steve Martin and Mark Spencer Speak

July 1, 2011, 10:03 AM

http://feedproxy.google.com/~r/deysonortiz/feed/~3...

A great conversation with Alex Lindsay, Steve Martin and Mark Spencer on the new FCPX Note: One thing that was brought up by Allan Tpper in regards to conforming 59.94p to 23.976p for slow-mo shots: Conform a clip's speed to match the project's speed: If you've applied speed effects using your camera, the native speed [...]

Making great products to serve professionals

July 1, 2011, 09:47 AM

http://blogs.creativecow.net/blog/5363/making-grea...

There have been unprecedented conversations taking place online, in the press, and in person about professional video editing during the last couple of weeks. And the discussion has been both passionate and personal, because this is about your livelihood.

Avid and Adobe Reach Out To Editors Seeking Alt

July 1, 2011, 09:46 AM

http://filmmaker.com/node/20402

What a busy last few days it has been, since the release of Apple's FCPX editing application, keeping up with all the reviews and viral videos. With many "Legacy FCP" users feeling abandoned, the two major companies offering the alternative editing applications Adobe Premiere Pro and Avid Media Composer have quickly weighed in on the change in the marketplace.

Free FCPX effect: Mask 8 points Alex4D

July 1, 2011, 09:41 AM

http://alex4d.wordpress.com/2011/06/30/free-final-...

In Final Cut Pro X, you aren't limited to the minimums and maximums defined by the sliders. The maximum value for Roundness controlled by the slider is 50, but you can enter larger values in the numeric field...

Zen Approach to Final Cut X

July 1, 2011, 09:39 AM

http://blogs.creativecow.net/blog/5360/a-personal-...

It's been just over a week since FCPX came out. I feel like I've been asked nearly a hundred times "What do I think?" I'm reading a dozen forums (with the Cow first), watching pundits and gurus pontificate about how great the software is, how bad the software is, how stupid Apple is, funny videos on Youtube, Vimeo - even petitions to turn back time.

RED AND FCPX

July 1, 2011, 09:38 AM

http://library.creativecow.net/battistella_david/F...

With the release of Final Cut Pro X, many were anticipating that there would be NATIVE FULL RED R3D integration in the new software. When that was not part of the release, especially after Apple talked about up to 4K resolution a the supermeet, it left many people wondering how to integrate RED footage into FCPX projects. The purpose of this tutorial is to help you figure out how you might be able to incorporate footage captured with RED cameras into a project you might be editing in FCPX.

Why Apple built Final Cut Pro X

July 1, 2011, 09:37 AM

http://jeffvlog.wordpress.com/2011/07/01/why-apple...

I'm a product designer inspired by Apple, Audi, Amex, and Amazon. I've never owned a PC. I worked at Apple for six years before getting the startup itch.

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