June 24, 2012, 03:49 PM
http://www.moviescopemag.com/features/digital-colo...
Master DI colourist Rob Pizzey followed a classic route in post-production, joining Deluxe 142 (then Ascent) as a runner in 1992, with an aim to becoming a telecine operator. Three years later he was taken on as a nighttime TK assistant, but three more would pass before Pizzey could move onto the day shift, in the meantime gaining experience working on drama and documentaries.
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