June 8, 2012, 08:58 AM
http://www.variety.com/article/VR1118054988.html
When editor Pietro Scalia arrived in London two weeks before principal photography began on "Prometheus," he needed to discuss workflow plan with the camera department. He also needed to calibrate the monitors so the same high-definition 3D images that director Ridley Scott and cinematographer Dariusz Wolksi captured with the new Red Epic camera system would be re-created accurately in the dailies and the editing suite. But what he really wanted to do was to step aboard the bridge of the...
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