September 5, 2012, 08:23 PM
http://www.digitalcinemareport.com/node/3467
As more and more film and television productions move to digital acquisition, directors and DPs have increasingly sought simple means to pre-visualize color on the set in order to have better control over the look of their footage from dailies through post production. Many filmmakers have found that predefined 3D look-up tables are inadequate for projects shot with digital cameras, especially when recording in raw modes.
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