It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 8, 2012, 08:07 PM
http://www.tvtechnology.com/article/red-giant-soft...
PluralEyes is a software application that automatically synchronizes multiple video cameras by matching their audio waveforms. It can be used for any type of multicamera shoot, and eliminates the need for cameras to be synced by timecode or slate. It's also ideal for shooting with a DSLR camera and capturing audio on a separate recorder. PluralEyes 2.0 is designed to work seamlessly with Avid Media Composer, Final Cut Pro X and 7, Adobe Premiere Pro, Sony Vegas and Edius editing platforms.
#editing#avid#sony#fcpx#edius#red giant#final cut pro#sony vegas#plural eyesNovember 8, 2012, 12:36 PM
http://feedproxy.google.com/~r/sibeliusblog/~3/QLe...
Sibelius 7 included new options for importing and using graphics directly in your score. These graphics can be placed anywhere in the music as benign objects, for which the color, rotation, size and even drawing order can be adjusted from right within Sibelius. This alone is terrific, but you can even make a graphic more...
#avid#sibelius#graphicsNovember 7, 2012, 12:55 PM
http://avidassteditor.com/2012/11/07/can-you-chang...
The Avid Fast Menu between the Splice-in and Overwrite buttons gives you access to the Tool Palette which has some handy functions while editing. (You can also access the Tool Palette via the Fast Menus above the Source and Record monitors.) You can change the functions and buttons on the Tool Palette by dragging it...
#avid#media composer#mc6#nle#mcNovember 2, 2012, 10:22 PM
http://www.digitalrebellion.com/blog/posts/bugs_of...
Here's your second installment this week of critical, interesting or bizzare issues you should know about.AvidMC 6.5.0.1 released with XDCAM Edit While Capture support and several AMA improvementsNew Sony AMA plugins to support the new XDCAM features of 6.5.0.1...
#avid#sony#plugins#mc6#xdcamNovember 2, 2012, 10:22 PM
http://community.avid.com/blogs/mediacomposer/arch...
This past week, Avid was proud to work with our longtime partners at the Savanna College of Art and Design (SCAD) as sponsors of the 2012 Savannah Film Festival.
#editing#avid#savanna#film editingNovember 2, 2012, 03:00 PM
http://feedproxy.google.com/~r/sibeliusblog/~3/mHn...
It's impossible to overstate how much Daniel Spreadbury has meant to anyone who uses Sibelius. From the occasional newbie to the most experienced pro seeking advice, Daniel has tirelessly offered his help, expertise, and good humor. So many times we have seen a Sibelius user, stressed out and under a deadline, post a frantic message...
#avid#daniel spreadbury#pro#sibeliusNovember 2, 2012, 07:55 AM
http://feeds.avid.com/~r/AvidCommunityBuzz/~3/_KYn...
Jeffrey Ford on managing data, meeting deadlines and controlling content for blockbuster film...
#editor#avid#media composer#mc6#film editor#jeff ford#jeffrey ford#film editor jeffrey ford#managing data#avengers#blockbuster#mcNovember 1, 2012, 08:27 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In this tutorial, Kevin P McAuliffe introduces you to the Audio Mixer, the core tool for audio mixing. He shows you the basics about panning and adjusting your audio levels, and even gives you a great trick to adjust your audio tracks before you even edit them into your timeline.
#avid#audio#media composer#kevin mcauliffe#mc6#nle#mixerNovember 1, 2012, 08:22 AM
http://www.thefilmbakery.com/blog/editing-with-avi...
We're currently testing the Avid (formerly Euphonix) Artist Color control surface for colour grading – more on that soon. But, I wanted to share a few surprising discoveries I've made about using it for editing as well.
#editing#avid#media composer#mc6#color#euphonixNovember 1, 2012, 08:15 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In this lesson, Kevin P McAuliffe talks about a tool you'll want to have open at all times when working with audio, and that's the Audio Tool. Not only does it give you a close up look at your VU meters, but it also contains some commands you'll want to have at your finger tips when cutting with a client.
#avid#audio#media composer#mixing#mc6
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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