It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
January 1, 2024, 11:29 AM
Alex Gascoigne (King Arthur, You Were Never Really Here, The Lost City of Z) joins Gordon to discuss their process working as colourist for Black Mirror.#color correction#colorist#gordon burkell#tv#television#netflix#film-making#the cutting room#black mirror#alex gascoigne
August 5, 2021, 10:12 AM
Fremont, CA – August 5, 2021 – Blackmagic Design today announced that the Hulu Original series “Only Murders in the Building” was graded by Colorist Nat Jencks of PostWorks New York using DaVinci Resolve Studio. Leveraging DaVinci Resolve 17’s new HDR Primary Grading Palette, Jencks was able to finesse a unique, darker comedy look to help match the tone of the murder mystery series.#color grading#post production#hdr#color correction
May 4, 2021, 03:08 PM
What is the difference between color grading vs color correction? In this post, we'll walk you through the video color process and best practice workflows.#color#color correction
October 15, 2020, 11:18 PM
The Colonie's Editor Nathan Rodgers Cuts Famed Chicago Rapper Vic Mensa’s Short Film, ‘Machiavelli.' Director Andre Muir Once Again Calls on Rodgers, This Time for an Innovative Music Video-Driven Film, with a Twist#editing#vfx#color correction#the colonie#music video#nathan rodgers#machiavelli
August 15, 2019, 08:05 AM
New sci fi film “Quanta” was shot entirely on an URSA Mini Pro, while grading was done using DaVinci Resolve Studio. The film is one of the first globally distributed films by the new Melbourne based film production company and film collective Raygun, and will begin distribution in the United States and other countries in August.#color grading#film#post production#color correction#sci fi
March 19, 2019, 12:11 PM
Get 50% off the Red Giant Magic Bullet Suite; 30% off individual Magic Bullet Suite tools#red giant#post production#filmmaking#color correction#sale
August 21, 2018, 10:33 AM
Blackmagic Design today announced that URSA Mini Pro and DaVinci Resolve Studio were used to create two exciting sports themed campaigns for Zurich Insurance, both directed, shot and post produced by Munich commercials team The Directors Duo.#editing#vfx#color grading#post production#color correction#audio post#delivery
March 19, 2018, 07:34 AM
Blackmagic Design today announced that Colorist Rob Bessette from Boston-based Finish Post used DaVinci Resolve Studio and a DaVinci Resolve Advanced Panel to grade Progressive’s latest commercial titled, “My Year of Me.” The spot follows the Progressive Box as he recounts his recent travels around the globe.#color grading#post production#color correction
February 28, 2018, 08:30 AM
Blackmagic Design today announced that DaVinci Resolve Studio was used by Colorist Lauren Malis of Chicago-based The Colonie to grade and finish several national broadcast spots for retail giant Kmart. The creative editorial and post production house was tapped to deliver the seasonal spots throughout 2017, and while each spot is different in content, they all have a similar feel essential to the Kmart brand.#editing#color grading#post production#color correction
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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