To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Basics - Red Import, Metadata Pass

November 21, 2012, 09:01 PM

http://www.blackmagicuser.net/topic/241-basics-red...

This is a tutorial for the Davinci Resolve color grading system. In this lesson we go over some basic settings, Red file import, anamorphic de-squeeze, reframing, and metadata color adjustments.

#blackmagic#red#color#metadata#colorist#basics#conforming
Blackmagic Design Basics - Conforming

November 21, 2012, 09:00 PM

http://www.blackmagicuser.net/topic/242-basics-con...

In this video tutorial I demonstrate in DaVinci Resolve how to conform a project, what "online" and "offline" mean in production to help you start color grading your projects.

#blackmagic#color#colorist#basics#conforming
New Video Training for DaVinci Resolve 9

November 19, 2012, 07:42 PM

http://vanhurkman.com/wordpress/?p=2307

First, I want to express my sincere gratitude to everyone who's been waiting so patiently. It's a tough balance between waiting for DaVinci to nail everything down so my lessons are as up-to-date as possible, and getting things started in time for Ripple to be able to add the kind of polish and organization that makes their titles something special.

#blackmagic#davinci#resolve#color#colorist
Colorist Shane Reed joins The Mill L.A.

November 16, 2012, 05:28 PM

http://news.creativecow.net/story/870223

(Los Angeles, California--November 16, 2012) Shane's impressive body of work provides an array of high profile commercials, music videos, and feature films...

#color#post#mill#colorist#shane reed
What Display Should I Buy? An Opinion Piece...

November 16, 2012, 07:14 AM

http://vanhurkman.com/wordpress/?p=2284

Lest you later accuse me of false advertising, I'm admitting right now that I'm not going to tell you what you should buy. Rather, I'll deliver an epistemological monologue about choosing monitors that may accidentally be helpful to you. I welcome comment, especially from those of you who are genuine color scientists. Just please be nice to each other.

#color#monitor
Advanced Colorist Strategies with DaVinci Resolve

November 16, 2012, 07:13 AM

http://events.creativecow.net/event/2557/ca-201-ad...

Ideal for current Resolve Colorists and assistant operators, looking to learn advanced techniques using the V9 software and the DaVinci Resolve control surface. Students are encouraged to bring their own material so Warren and the other students can grade and discuss the different formats and the challenges they bring. Take your grading to the next level.

#aja#blackmagic#color#colorist#hyperdeck#kipro#shuttle
RE:Vision Effects releases RE:Match

November 15, 2012, 04:25 PM

http://news.creativecow.net/story/870213

(November 15, 2012) RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the initial release of RE:Match for Adobe® After Effects® and Adobe® Premiere Pro®. RE:Match takes intuitive color and texture matching to a whole new level by addressing common problems on multicam and stereo shoots.

#software#adobe#cs6#after effects#ae#premiere pro#color#plug-in#vision effects
Boris TV Episode 160: Speed Up Your Color Grading

November 14, 2012, 09:04 PM

http://www.borisfx.com/borisfxnews/2012/11/14/epis...

BCC Videoscope is a powerful tool for ensuring broadcast safe color levels at any stage of your project. In this video tutorial, Kevin P. McAuliffe shows you how to set up BCC Videoscope's waveform monitor and illustrates the filter's Zebra Pattern and Magenta settings for highlighting areas in your footage that are not broadcast safe.

#grading#color#colour#grade
Episode 160: Speed Up Your Color Grading Workflow

November 13, 2012, 10:09 PM

https://www.aotg.com/episode-160-speed-up-your-color-grading-workflow/

Boris Continuum Complete's Videoscope filter is a powerful tool for ensuring broadcast safe color levels at any stage of your project. In this video tutorial, Kevin P. McAuliffe shows you how to set up BCC Videoscope's waveform monitor and illustrates the filter's Zebra Pattern and Magenta settings for highlighting areas in your footage that are not broadcast safe.

#color#borisfx#speed
A Sneak Peek

November 13, 2012, 06:18 AM

http://vanhurkman.com/wordpress/?p=2264

I've been spending a bit of time tidying up the blog, knowing that my Resolve 9 training title from Ripple Training is just around the corner. Well, no sooner did I finish then Steve Martin released a small tidbit on YouTube. This is just one small movie out of many hours of content, but it’ll give you an idea of what's coming.

#color#colour#colorist

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