To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Transitioning to an Adobe Workflow...

December 30, 2012, 10:28 AM

http://www.screenlight.tv/blog/2012/12/19/transiti...

I was a FCP Editor/Trainer for 10 years. Since FCP X replaced FCP 7 I have been transitioning to an Adobe workflow. Like myself, a lot of former FCP editors are trying out Adobe's Production Premium (equivalent to FCP Studio) or the new Creative Cloud subscription model. In this article I'll look at using Adobe Prelude from a former FCP user's perspective.

#workflow#adobe#cs6#premiere pro#nle
When to Scale to Frame Size in CS6

December 29, 2012, 04:41 PM

http://strypesinpost.com/2012/12/when-to-scale-to-...

For those of you coming to Premiere Pro from FCP7, there is a similar preference in Premiere Pro called "scale to frame size". However, there is one notable difference. In FCP7, when you insert a clip into a timeline, the clip is automatically scaled to the dimensions of the sequence, and the scale percentage is automatically set in the Motion tab.

#adobe#cs6#nle
Studio’s Top Stories of 2012: Part Two

December 28, 2012, 03:05 PM

http://www.studiodaily.com/2012/12/studios-top-sto...

One of my favorite tasks at the end of every year is digging into StudioDaily's analytics and tallying the pageviews for the most popular stories we published in the last 12-month period. The traffic stats always yield an interesting mix of content, from product reviews and case studies to NAB news and business stories. They reveal what we've been spending a lot of time thinking about in the last year and, sometimes, they reveal what we'll still be considering in the next one. Here's part 2...

#fcpx#final cut pro x#adobe#cs6#premiere pro#nle#apple
CS6: Merged Clips within FCP XML

December 27, 2012, 08:23 AM

http://www.fallenempiredigital.com/blog/2012/12/27...

While I sit at my parents house for the holidays, I thought I’d jump on the blog and keep myself busy. The next installment of the LUT series is on its way, but in the meantime I wanted to talk about Premiere Pro CS6′s merged clips and how they translate through Final Cut Pro XML files to the venerable Final Cut Pro 7.

#adobe#cs6#premiere pro#final cut pro#nle#fcp#xml
How to Produce Multicamera Projects in CS6

December 26, 2012, 04:39 PM

http://www.onlinevideo.net/2012/12/how-to-produce-...

Producing with multiple cameras is the easiest way to make your output look more professional, but if you’re not switching live on location, you’ll have to edit in post. This tutorial shows you how to synch and edit your multiple camera clips in Adobe Premiere Pro CS6.

#adobe#cs6#premiere pro
CS6 Techniques: 103 Analyze Content: Find Faces

December 23, 2012, 11:35 AM

http://library.creativecow.net/devis_andrew/Premie...

In this tutorial, Andrew Devis explains how to use the 'Find Faces' function in Premiere Pro which can be a useful function to search/filter in the project panel to display only clips showing people. Although a useful function, it does take a while to analyze the clips, so it isn't always a fast solution.

#adobe#cs6#premiere pro#nle#media encoder#analyze
CS6 Techniques: 104 Speech Analysis

December 23, 2012, 11:33 AM

http://library.creativecow.net/devis_andrew/Premie...

In this tutorial, Andrew Devis shows how to use the Speech Analysis function inside of Premiere Pro. Andrew starts by showing how to find and download speech modules for languages other than English US and then goes on to analyze two clips, one with stylized English and one with normal English to show how well Premiere Pro copes.

#adobe#cs6#premiere pro#nle#speed#duration#speech analysis
CS6 Techniques: 105 Warp Stabilizer

December 23, 2012, 11:31 AM

http://library.creativecow.net/devis_andrew/Premie...

In this tutorial, Andrew Devis shows how to use the 'Warp Stabilizer' effect in Premiere Pro. This powerful effect can be used to stabilize hand help or shaky footage so that the end result will be smooth motion or even no motion for the clip it is applied to.

#adobe#cs6#premiere pro#nle#warp stabilizers
CS6 Techniques: 106 Multi-Camera Work-flow

December 23, 2012, 11:29 AM

http://library.creativecow.net/devis_andrew/Premie...

In this tutorial, Andrew Devis goes through the new and improved multi-camera work-flow in Premiere Pro CS6, which includes the option to use as many cameras as your system can cope with! Andrew shows how to use three clips in this tutorial, how to set them up with a synchronizing point and then how to trim footage back into the multi-camera sequence if the synchronizing points weren't in a good place.

#adobe#cs6#premiere pro#nle#multi-camera workflow
CS6 Techniques: 107 Rolling Shutter Repair

December 23, 2012, 11:28 AM

http://library.creativecow.net/devis_andrew/Premie...

In this final tutorial in this Premiere Pro Basics (CS6 & above) series, Andrew Devis shows how to use the Rolling Shutter Repair effects which deals with the problem of footage from a camera phone or a DSLR (CMOS sensors) which look wobbly or jelly-like when panned quickly. The obvious solution is to avoid fast pans with this type of camera, if possible.

#adobe#cs6#premiere pro#nle#rolling shutter repair

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