To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Territory Cuts Quirky 5-hour ENERGY Spots

December 22, 2014, 07:20 AM

https://www.aotg.com/territory-cuts-quirky-5-hour-energy-spots-2/

Territory editor Dave Crosslin’s talent and wry sense of humor were tapped for 5-hour ENERGY’s off-kilter campaign for the popular energy shot, directed by Nicolas Hill. Lucky Airlines, the Los Angeles and Detroit-based production company, also collaborated on the concepts for the spots, which are a departure from the tone of the company’s previous campaigns – bringing an over-the-top style and comedic energy to the popular brand.

#editing#commercials#territory#dave crosslin
Watching and Voting at 90to5 2014

November 25, 2014, 12:03 PM

http://challenge.90to5.org/2014/11/watching-and-vo...

Editors as well as everybody else (tell your friends!) is welcome to watch and rate at 90to5.org to determine the Audience Award. Here is a list of all the awesome entries in 2014. Klick, watch and scroll down to give star ratings…

#editing#video#award#edit#90to5 editing challenge#contest#public domain#movies#2014
The Tiffen Company Releases Major Upgrade to Dfx

November 24, 2014, 02:18 PM

http://www.prweb.com/releases/2014/11/prweb1233791...

The Tiffen Company has announced the release of the highly-anticipated version 4 of the multiple award-winning Tiffen Dfx digital filter suite. A powerhouse among special effects software, Tiffen Dfx 4 delivers even more illustrious video and still image effects to its already extensive package.

#editing#davinci resolve#sony vegas#tiffen#photography#cinematography#photography software#dfx#digital filters#nles#video software
FCPX - 5 Hour FCPX Edit in 6:40min le

November 18, 2014, 03:49 AM

https://www.aotg.com/fcpx-5-hour-fcpx-edit-in-640min-le/

I am the head editor of a daily sports (comedy) news show. I decided to record the screen of one of my edits for today. I recorded myself editing for over 5 hours and sped it up to 3388% to show the world what it is I do everyday. Enjoy!

#editing#fcpx#final cut pro#post production#new zealand#the crowd goes wild#allan george
Editor Arthur Schmidt to Appear at lacpug, Nov 19

October 24, 2014, 03:14 PM

http://www.lafcpug.org/user_schedule.html

We are excited to welcome legendary film editor Arthur Schmidt to lacpug for the entire evening. Arthur Schmidt is a film editor with about 27 film credits between 1977 and 2005. Schmidt has had an long collaboration with director Robert Zemeckis that extended from Back to the Future (1985) to Cast Away (2000). Schmidt received the Academy Award for Best Film Editing for Who Framed Roger Rabbit, (1988) and Forrest Gump (1994). In addition to these Oscars, Schmidt has won several "Eddies" from

#editing#lacpug#back to future#forrest gump
EditShare Unveils XStream EFS Enterprise Storage

September 9, 2014, 11:33 AM

http://www.editshare.com/about/about-us/press/item...

EditShare today announced EditShare XStream EFS, a new enterprise storage solution aimed at media markets. Demonstrated for the first time at IBC2014, EditShare XStream EFS is a powerful distributed scale-out file system designed from the ground up to support large-scale media workgroups requiring high-bandwidth, high-volume media ingest, transcoding, online collaborative editing and multiplatform distribution of HD, 2K, 4K and beyond.

#workflow#editing#4k#post production#storage#editshare#ibc#broadcast#enterprise#ingest#shared storage#mam#ibc2014#playout#xstream
Inside the Edit Launches Its Program by Offering a

August 21, 2014, 07:03 AM

http://www.mentorless.com/2014/08/20/inside-the-ed...

Inside the Edit is an online learning program developed by veteran editor Paddy Bird over the course of three years to give a unique access and insights into the art of editing. I am a self-taught editor and if, like me, you fought your way on your own into learning how to best use a Timeline, you’ve probably noticed that you can find a gazillion books and tutorials about the technical aspect of editing, but not much about the intelligence...

#editing#editors#online#inside the edit#learning program
Fred Raskin on Taking Over for Sally Menke

July 30, 2014, 06:47 PM

https://www.aotg.com/fred-raskin-on-taking-over-for-sally-menke/

Fred Raskin had just finished editing Django Unchained when he sat down with Gordon to discuss editing and taking over for Sally Menke. He recently finished editing Guardians of the Galaxy and has worked on the Fast and the Furious Series.

#editor#editing#post production#fred raskin#sally menke
Video Collaboration Tools: DaVinci Resolve

July 28, 2014, 12:25 PM

http://wp.me/p45CkU-11Z

At least three different editors in various locations on the planet were able to do their editing tasks using DaVinci Resolve 11 via a shared hierarchy. Adjustments could be made from any workstation through a MacMini server that connected all the users, and the resulting metadata transferred via cat 7 Ethernet to everyone involved.

#editing#color grading#davinci resolve#post production#hardware#tech#media trends#6k dragon#lumaforge
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