To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

To 4K or Not to 4K - A PVC Roundtable Discussion

February 28, 2014, 10:42 AM

http://provideocoalition.com/pvcexclusive/story/to...

Various members of the ProVideo Coalition weigh in with their opinions around 4K. Do professionals need to shoot, edit and deliver at 4K because of the perceived benefits? Do consumers want to watch something at 4K because they're really able (or think they're able) to tell the difference between 4K and HD? Or should moving to 4K (and eventually 8K) just be accepted as inevitable?

#editing#production#4k#post production#hd#cameras
THE STRUGGLE FOR 4K Ultra HD

February 5, 2014, 09:37 AM

http://nonlinearpost.com/4k-ultra-hd-struggle/

Tech geeks love it. Cinematographers embrace it. Television manufacturers and Internet delivery systems promote it. Post houses try to ignore it. American broadcasters reject it. Studios well, um, will always find a way to profit from it before it becomes commonplace. Like the motion picture business, the content production process, and the way we receive content is changing. In addition, our viewing habits are changing as well.

#editing#4k#post production#uhd#ultra hd#media trends#ultra high definition
EditShare Releases Lightworks Version 11.5

January 30, 2014, 12:24 PM

http://editshare.com/about/about-us/press/item/152...

EditShare is proud to announce the release of Lightworks 11.5, its popular cross-platform editing software, which now includes some major changes to the Pro and Free versions. The new release features some major updates to the user interface, which greatly improve the editing experience, a smarter right-click menu populated with your favourite pre-sets and FX plus greater control for playback.

#editing#editshare#editshare lightworks#lightworks for linux#lightworks for windows#aja hardware#editing software
Utopic Bags The Humor For Spartan Stores

January 21, 2014, 05:11 PM

https://www.aotg.com/utopic-bags-the-humor-for-spartan-stores/

Utopic recently provided editorial, production and finishing services for a pair of comedy-driven spots for Spartan Stores, one of the largest grocery distributors in the country. Created by Fairly Painless Advertising, the two "30’s, ‘Hugs’ and ‘Digital Coupons,’ tapped Utopic’s full service approach to launch its ‘Yes Rewards Programs’ and deliver the campaign’s message with humor and wit.

#editing#production#finishing#commercials#digital content
Mac Pro Workflow Showcase

January 21, 2014, 11:45 AM

http://www.melrosemac.com/mac-pro-workflow-showcas...

Be the first to experience powerful Mac Pro workflows in hands-on demonstrations featuring the latest hardware and software from Apple, Blackmagic Design, ATTO Technology, AJA Video Systems, Magma, Adobe, and The Foundry. Learn and test equipment built to take full advantage of the new Mac Pro.

#editing#blackmagic design#adobe#vfx#color grading#mac pro#4k#storage#archiving#fcp x
Final Cut Pro Post Production for the Coen Brother

January 20, 2014, 02:54 AM

http://nonlinearpost.com/final-cut-pro-post-produc...

The Coen brothers tackle post with a workflow that is specific to them. I had a chance to dig into that world with Katie McQuerrey, who is credited as an additional editor on Inside Llewyn Davis. McQuerrey started with the Coen brothers as they transitioned into digital post, helping to adapt their editorial style to Apple Final Cut Pro.

#editing#entertainment#final cut
FCPWORKS Announces Special Los Angeles Event

January 10, 2014, 10:32 AM

http://www.prweb.com/releases/2014/01/prweb1146982...

FCPWORKS, an integrator of Apple hardware and software post-production solutions, today announced a special live event showcasing the latest version of the Final Cut Pro X editing software and the new Mac Pro in action at Unici Casa in Los Angeles on January 25th, 2014.

#editing#fcpx#final cut pro#apple#post production#filmmaking#free#macpro#los angeles
FAST CUTS AND CLOSEUP SHOTS IN PSYCHO

December 11, 2013, 07:29 AM

https://www.aotg.com/fast-cuts-and-closeup-shots-in-psycho/

The shower murder scene from Psycho is one of the most memorable scenes in film history. Using groundbreaking editing techniques, Alfred Hitchcock and George Tomasini crafted a truly shocking scene that had people thinking twice about taking a shower.

#editing#psycho#alfred hitchcock
MEWShop’s New Class: “Making the Cut"

December 3, 2013, 09:17 AM

http://mewshop.com/news/2013/dec/3/explore-art-and...

Manhattan Edit Workshop (MEWShop) will launch a brand new film analysis class in 2014. Lead by renowned film historian and author Bobbie O’Steen, “Making the Cut” will explore the editor’s endgame decisions from inside the cutting room. Course content will be based in part on material from O’Steen’s popular books (Cut to the Chase, The Invisible Cut) and her Inside the Cutting Room event series.

#editing#filmmaking#manhattan edit workshop#filmmakers#bobbie o steen#editing classes#film analysis#film analysis class#making the cut
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