To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Quarry / G(O)OD+(D)EVIL (Editing Inspiration)

November 12, 2012, 01:35 PM

http://editingisart.com/?p=691

A supernatural short dealing with themes of good and evil by subverting religious imagery. Shot on Phantom, directed by Hungry Man London's Chris Turner and edited by Mark Whelan the Quarry in London. We wonder what editor wouldn't want Phantom...

#editor#editing#film editor#film editing#inspiration
Montage forum Wednesday, 11/14/12

November 12, 2012, 09:44 AM

http://www.bfs-filmeditor.de/aktuell/meldungen/mel...

(In German) The film tells Sieveking from the care of his mother suffering from Alzheimer's Gretel. The change and the progression of the disease pose enormous challenges for the family and as well as simmering conflicts come to the surface. Just under the strain but they are together again. David Sieveking comes closer to his parents, and experience from the past, while his mother loses her memory.

#editor#editing#news#montage#event
Things I've Learned About Editing from Life

November 4, 2012, 10:24 AM

http://monicaedits.tumblr.com/post/34949001737

I had never heard of an NLE until after I graduated college and I attended a filmmaking bootcamp program in San Francisco called the Digital Video Intensive. From the time up until I was 23, I was a Math/Science Geek who happened to always be performing, whether it was Marching Band, Colorguard (I twirled huge flags around and dropped them on my head a lot), or dance.

#editor#editing#nle#film editor#film editing#college
Are you just an editor? Neither am I.

November 1, 2012, 08:40 AM

http://blogs.nppa.org/editfoundry/2012/10/31/are-y...

This is a video editing blog.  I try to give you insight into my mind and the process I go through in editing stories.  I'm not just a video editor.    I produce, I shoot and I write as well.   The world we are in now doesn't seem to have many job opening for...

#editor#editing#film editing#technique#story
THE SESSIONS WITH LISA BROMWELL

October 29, 2012, 04:53 PM

https://www.editorsguild.com/FromTheGuild.cfm?From...

As a 28-year-old ballet dancer in New York, Lisa Bromwell, A.C.E., was looking at a career with limited longevity. She’d always been interested in film, however, and landed a job as a set PA to get a sense of what it was like to make a movie...

#editor#ace#lisa bromwell#eric brodeur#craig mckay#assistant#silence of the lambs#the sessions
Flashback! - Lady and the Tramp

October 29, 2012, 04:51 PM

https://www.editorsguild.com/FromTheGuild.cfm?From...

After the feature, assistant editor Holley — whose early career included stints at Disney’s Florida Animation Studios and work on Aladdin (1992) and Mulan (1998) — introduced Bossert, a Disney veteran of 28 years. He has numerous credits on features, shorts and TV, as producer, director, visual effects supervisor and effects animator, in addition to his responsibilities as artistic supervisor for restoration and preservation efforts.

#editor#lady and the tramp#assistant editor#sharon smith holley

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