It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
November 21, 2012, 07:21 AM
In this Prosential tip, guest host James Zwadlo demonstrates different techniques for repositioning a keyframed motion path.#adobe#vfx#after effects#ae#effects#visual fx
November 21, 2012, 07:12 AM
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 57: In this tutorial looking at getting your production out of After Effects, Andrew Devis goes through the render settings dialogue box and explains why you would choose to export through After Effects and how to save a template of your choices.#adobe#vfx#after effects#ae#effects#visual fx
November 19, 2012, 08:01 AM
Presented by Alex Gollner Since its launch in 1999, Apple's Final Cut Pro has had an advanced internal scripting system that allowed third parties and individuals to make custom effects and transitions to add missing features to the application. Final Cut Pro X effects, transitions, generators and titles are created using Motion 5, Apple's motion...#final cut pro x#motion#apple#effects
October 28, 2012, 06:53 PM
The 10.0.6 update to Final Cut Pro removed a control from the Letterbox effect. You cannot control the vertical offset of the underlying clip. Here's a Final Cut Pro X effect based on by Alex4D Widescreen Matte adjustment layer that brings back this control and more.#fcpx#final cut pro x#plugin#letterbox#effects
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Udit Duseja Discusses his Composition and Audio Work on America and All Light Everywhere
© 2007-2022 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.