To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Installation forum on Thursday, 11/29/12, 17:00

November 26, 2012, 03:12 PM

http://www.bfs-filmeditor.de/aktuell/meldungen/mel...

(In German) Already in the 1920s, filmmakers began thus, foreign films to re-edit, a technique that is a collage film, archival film, compilation film and in the arts known as the found-footage film. With the advent of analog and digital (re) production techniques has the artistic approach to foreign material, but also significantly expanded its use. To filmmakers comes to the difficult question of when, how and under what conditions it extracts from foreign works - can use in his own work...

#bfs#montage#event
DMV CPUG Event

November 26, 2012, 09:28 AM

http://www.dcfcpug.org/2012/11/26/the-dmv-cpug-eve...

Over USD14,000 in prizes, catered food and and awesome program! Wrap up, and come out out and network to change YOUR life! November 28, 2012.

#event#gv expo#dmv cpug
Avid /Tyrell Host Dublin Event

November 23, 2012, 12:39 PM

http://www.4rfv.co.uk/industrynews.asp?id=154504

Discover the latest product enhancements which can make a significant difference to your editing, storage and media management requirements at the Avid /Tyrell Dublin event for the broadcast, post and production communities.

#avid#media composer#mc6#nle#event
Change the work of the assistant editors

November 23, 2012, 12:36 PM

http://www.bfs-filmeditor.de/aktuell/meldungen/mel...

To discuss the change in the work of the assistant editors by increasing the use of HD cameras, met in Berlin on 09.20.12 18 Editor / and assistants / inside. It was debated long and hot, share experiences and gather ideas on how to act and react.

#assistant editor#film editor#event#assistant editing
Montage forum Wednesday, 11/14/12

November 12, 2012, 09:44 AM

http://www.bfs-filmeditor.de/aktuell/meldungen/mel...

(In German) The film tells Sieveking from the care of his mother suffering from Alzheimer's Gretel. The change and the progression of the disease pose enormous challenges for the family and as well as simmering conflicts come to the surface. Just under the strain but they are together again. David Sieveking comes closer to his parents, and experience from the past, while his mother loses her memory.

#editor#editing#news#montage#event

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