To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Blackmagic Cinema Camera post workflows

November 12, 2012, 05:07 AM

http://digitalfilms.wordpress.com/2012/11/11/black...

Digital camera development has been running in high gear for several years outpacing any other portion of our industry. Thanks to a revolution started by RED, Nikon and Canon, videographers are now blessed with a wide range of small, affordable, high-performance imaging systems that have broken us free from the confines of the mundane 2/3"...

#blackmagic#red#post#canon#workflows#nikon#videographers
Dailies and 'looks' in digital movie-making

November 12, 2012, 05:02 AM

http://neilsadwelkar.blogspot.ca/2012/11/video-ass...

I keep calling them movies, not films, and movie-making, not film-making because some new movies in India are being shot on digital mediums - Canon HDSLRs, Red, Alexa, Sony and others. No film used, means new methods, new workflows. The concept of 'video assist' and 'dailies', too assume a somewhat different approach.

#workflow#red#dailies#dslr
Colour Grading Workflows

November 7, 2012, 12:55 PM

http://jonnyelwyn.co.uk/film-video-editing-tools-f...

Resolve 9 R3D Grading Workflow Markus Wellguny shares his dailies, editorial and final conform workflow in his guest post on Ninofilm.net. If you’re about to begin work on a R3D project and want to be able to grade from you...

#workflow#color grading#red#grading#color#colour#r3d
Working with R3D Natively in Premiere Pro

November 5, 2012, 04:12 PM

http://www.creativeplanetnetwork.com/2-pop/news/vi...

This short video tutorial shows how R3D files work natively within Adobe Premiere Pro CS6. See how to import files, adjust metadata, save presets and more.

#workflow#adobe#cs6#red#premiere pro#premiere#r3d#metadata
Adobe CS6 Premier Pro + RED overview

November 2, 2012, 10:14 PM

https://www.aotg.com/adobe-cs6-premier-pro-red-overview/

Dan takes you through a quick overview working with RED footage in Premier Pro and how to round-trip with REDCINE-X Pro

#workflow#adobe#cs6#red#premiere pro#premiere#redcine-x
price drop: 4k T-Shirts on sale

November 1, 2012, 10:16 PM

http://uniquedesigners.wordpress.com/2012/11/01/pr...

In the light of todays event from RED i also dropped the price … even before RED did. also spreadshirt as a Free-US-shipping thing you might wanna use   FREE Standard Shipping on all orders in the US Coupon Code: GIVETHANKSSHIP Runtime: Nov, 1st – only!!! also new iPhone 4 and iPhone 5 cases...

#red#4k#t-shirt
RED Goes ProRes and 48GB REDMAG SSD

November 1, 2012, 10:06 PM

http://nofilmschool.com/2012/11/red-prores-meizler...

It looks like it's RED Day here at NoFilmSchool. Both Sony and RED have been making a lot of noise in relation to new products (or price reductions). We've got the new F5 and F55 cameras, and a new 4K recorder from Sony, and while we can’t be sure of the final price just yet, it's clear RED and Sony both view compressed formats as important (even if one might say 1080p/2K is a

#red#ssd#prores#48gb#redmag
RED Introduces FCP X Plug-In

October 29, 2012, 03:08 PM

http://www.creativeplanetnetwork.com/2-pop/news/re...

Watch this short video introducing some of the features of the new RED Final Cut Pro X plug-in which allows you to work with .R3D files natively within Final Cut Pro X. The video covers topics like importing files, metadata, exporting XMLs and more.

#fcpx#final cut pro x#red#plugin#plug-in#xml#r3d
REDCODE RAW in Final Cut Pro X 10.0.6

October 29, 2012, 02:53 PM

http://www.macprovideo.com/hub/final-cut/redcode-r...

As of the release of Final Cut Pro X version 10.0.6, native REDCODE RAW and the REDROCKET card are fully supported as of FCP 10.0.6. This is the R3D video file format that is proprietary to RED brand cameras. There are some neat tricks to using REDCODE RAW clips natively in FCP X. In this article I’ll walk you through what you'll need to know if you want to edit REDCODE RAW media natively in FCP X.

#fcpx#final cut pro x#red#plugin#r3d#redcode#raw
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