February 27, 2012, 10:35 AM
http://www.cinemaeditormagazine.com/2012/02/tech-c...
If you are a picture editor easily frustrated by change, you're in the wrong business. Over the past six months I've worked on: a 3-D movie shot on 35mm 8 perf film and cut on Final Cut Pro 7 (FCP 7); a series shot on the RED camera and cut on Avid Media Composer (AMC) 5.0.3; a promo trailer shot on P2 and GoPro cameras; a destination film shot on 35mm 8 perf film and cut on FCP 6; a feature length scripted show shot on the Canon 5D and edited on AMC 5.5.3; a sizzle reel editing on AMC 6.0...
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