June 5, 2015, 05:09 AM
http://www.newyorker.com/culture/cultural-comment/...
For the second time in as many years, an auteur’s descent into 3-D livened up the Cannes Film Festival. In 2014, the provocation came from Jean-Luc Godard, whose aggressive 3-D experiment, “Goodbye to Language,” brought cries of “Godard forever!” amid spontaneous applause. There was more excitement late last month, when brawls reportedly broke out in a rush for seats at Gaspar Noé’s “Love,” an art-house porno flick in three dimensions. Critics called the film a bore (and some wa...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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