November 27, 2014, 03:34 PM
http://www.hollywoodreporter.com/news/oscars-why-i...
The Academy moved beyond recognizing primarily orchestral work when voters rewarded Trent Reznor and Atticus Ross' electronic score for The Social Network four years ago. A couple of this year's choices tread even fresher ground: Hans Zimmer's largely pipe organ–based music for Interstellar, and Antonio Sanchez's daringly all-drums Birdman score.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.