Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Behind the Title: AFX Creative VFX Supervisor Tom Connors

May 12, 2022, 08:46 AM

https://postperspective.com/behind-the-title-afx-c...

Tom Connors is a VFX supervisor at Santa Monica-based AFX Creative, a studio providing post services for the advertising and entertainment industries. Their offerings include VFX, motion design, finishing and color grading. We recently spoke with Connors to find out more about his work. Can you talk about what being a VFX supervisor entails? Continue reading → May 11, 2022 The post Behind the Title: AFX Creative VFX Supervisor Tom Connors appeared first on postPerspective.

VFX Notes Doctor Strange The Magic Mystery Tour

May 12, 2022, 08:44 AM

https://beforesandafters.com/2022/05/12/vfx-notes-...

In part 2 of our Doctor Strange discussion at VFX Notes, Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters break down Method Studios’ work on the multi-verse sequence in the film. Here’s my past coverage of this sequence back at vfxblog.

VFX Artifacts Paul Debevec on Light Stage 3

May 2, 2022, 08:46 AM

https://beforesandafters.com/2022/05/02/vfx-artifa...

We narrow in on this crucial development in the history of Light Stages, including the role of LED lighting.

VFX in the Volume: A Virtual New World On-Set

April 12, 2022, 08:19 AM

https://postperspective.com/vfx-in-the-volume-a-vi...

By Beth Marchant The pandemic has been brutal on business and our lives, but in production and post, there have been a number of upsides that are transforming the way media gets made at every scale. The one-time challenges of working in real time have vanished, and cloud-based collaborative platforms are meeting the demands of syncing simple WFH suites with more robust local systems at the studio. Continue reading → April 11, 2022 The post VFX in the Volume: A Virtual New World On-Set appeared...

5 VFXOscar nominated films 5 eps of VFX Notes

March 28, 2022, 09:01 AM

https://beforesandafters.com/2022/03/28/5-vfx-osca...

Join Hugo Guerra and Ian Failes for these 5 episodes of the VFX Notes podcast all in one place, in a special playlist at Hugo’s Desk. Here’s where you can catch all the other episodes of the VFX Notes podcast, too.

Congratulations to VFX Oscar winner Dune

March 28, 2022, 09:00 AM

https://beforesandafters.com/2022/03/28/congratula...

Dune took out the Best Visual Effects Oscar at the 94th annual Academy Awards. The Oscar went to Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer. Congratulations to all who worked on the film.

How Dune VFX supervisor Paul Lambert invented Nu

March 25, 2022, 08:34 AM

https://beforesandafters.com/2022/03/25/how-dune-v...

Paul Lambert, now a two time Oscar-winning visual effects supervisor for Blade Runner 2049 and First Man, and also nominated this year for an Academy Award for Dune, was working as a compositor at Digital Domain in Los Angeles back in 2004 when he somewhat cavalierly suggested the development of a new keyer for the studio’s groundbreaking compositing system, Nuke.

Quentin Tarantino Only Wanted The Best Blood For K

March 25, 2022, 08:34 AM

https://www.slashfilm.com/810320/quentin-tarantino...

The rise of digital effects has dramatically shifted how movies of all budget sizes get made. While a lot of the work effects artists have done is absolutely phenomenal, there are two areas where their limitations are most prevalent.

VFX Notes The VFX of SpiderMan No Way Home

March 24, 2022, 08:24 AM

https://beforesandafters.com/2022/03/24/vfx-notes-...

Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters show off their spidey senses in a breakdown of the VFX in Spider-Man: No Way Home. We cover in particular the work by Digital Domain, Framestore and Imageworks, overseen by VFX supe Kelly Port.

VFX Futures The virtual production behind the pir

March 22, 2022, 08:40 AM

https://beforesandafters.com/2022/03/22/vfx-future...

The new HBO Max show Our Flag Means Death required a number of scenes to be set on a pirate ship on the ocean. Ultimately, the sequences were realized with actors on a partial ship build on a soundstage against a 30 foot by 160 foot LED wall. Projected onto the wall were stitched-together ocean plates crafted by Stargate Studios, headed up by Sam Nicholson.

1 2 3 197

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.