October 22, 2010, 11:07 AM
With Danny Boyle at the helm, principal photography on the upcoming 127 Hours was anything but routine. The director wanted to shoot the harrowing true story of mountain climber Aron Ralston on location in Utah, using the tiny Silicon Imaging SI-2K cameras he employed on Slumdog Millionaire. That meant building a new digital workflow far from the comforts of Hollywood.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
Gordon sits down with Michelle Tesoro ACE to discuss her work on The Queen's Gambit.
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