November 16, 2013, 12:16 PM
Last week, when discussing the recent glut of superhero movies, we pondered whether the boom in computer-generated special effects was actually making those effects less special: Ten years ago, the CGI landscapes of Asgard in Thor: The Dark World would have been a stunning, ground-breaking sight, but now, they're just the norm for what we expect from $200 million movies.
Christopher Peterson, ACE, sits down with Gordon to discuss American Crime Story: Impeachment.
Gordon Burkell sits down with Alex Amick to discuss her work on the Muppets Haunted Mansion.
Cindy Mollo sits down to discuss the editing of Ozark.
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