November 9, 2010, 11:06 AM
At the Editors Guild’s Hollywood headquarters on November 2, representatives from Avid and Digital Vision demonstrated the digital workflow that tightens the relationship between editorial and DI or color grading. Avid products specialist Casey Richards, Digital Vision senior product manager Bruno Munger and Digital Vision colorist Susumu Asano illustrated the way that Avid Media Composer and ISIS storage have a seamless interchange with Digital Vision’s Nucoda Film Master.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
Gordon sits down with Michelle Tesoro ACE to discuss her work on The Queen's Gambit.
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