November 9, 2010, 11:06 AM


At the Editors Guild’s Hollywood headquarters on November 2, representatives from Avid and Digital Vision demonstrated the digital workflow that tightens the relationship between editorial and DI or color grading. Avid products specialist Casey Richards, Digital Vision senior product manager Bruno Munger and Digital Vision colorist Susumu Asano illustrated the way that Avid Media Composer and ISIS storage have a seamless interchange with Digital Vision’s Nucoda Film Master.

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