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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Frame.io Brings FiLMiC Pro to the Cloud – Testing the Workflow

May 23, 2022, 04:49 PM

https://www.provideocoalition.com/frame-io-brings-...

It’s not news that Frame.io has been pioneering camera-to-cloud (C2C) workflows. However, one of the newsworthy integrations recently announced was the addition of C2C capabilities for iPhone and Android users with the Filmic Pro camera application. The update already popped up in your Filmic Pro settings if you’ve kept the app current. Frame’s C2C feature [...]Read More... from Frame.io Brings FiLMiC Pro to the Cloud – Testing the Workflow

How to Create Volume Gradient Advection With Houdini

April 29, 2022, 08:42 AM

https://lesterbanks.com/2022/04/how-to-create-volu...

Voxyde shows how to compute a gradient field from smoke in Houdini. This new tutorial from Voxyde (Ciobanu Razvan) shows how to use Houdini’s Volume Analysis SOP to compute a gradient field from a smoke simulation. The

Ateliere previewing new module for cloud-based media delivery platform

April 21, 2022, 09:17 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

BEVERLY HILLS, CA — At NAB, Ateliere Creative Technologies (ateliere.com) will demonstrate Connect/Parcel, a new workflow module of its Ateliere Connect cloud-native digital supply chain platform. Connect/Parcel is designed to simplify the workflow for packaging and delivering content, especially for customers with lower-scale content delivery requirements that want to operate and manage their own media delivery, saving time and money.

Maxon announces upgrades, including Redshift Everywhere

April 21, 2022, 09:17 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

FRIEDRICHSDORF, GERMANY — Maxon (maxon.net) has announced that all of its products are now included in its Maxon-One subscription. This includes Cinema 4D, Redshift, Red Giant, Universe, Forger and ZBrush. Maxon develops professional software for editors, filmmakers, motion designers and visual effects artists. The company acquired ZBrush in December of last year. Additionally, Maxon has unveiled its Spring 2022 product upgrades, which include many new features and enhancements.

Editor Eric Alexander-Hughes joins recently-launched Arts Academy

April 20, 2022, 08:31 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

LOS ANGELES — Arts Academy, a newly-launched post production house, recently welcomed Eric Alexander-Hughes to its staff as editor. The studio was founded by Peter Wiedensmith and Tommy Harden, who have more than 40 years combined experience making award-winning work.

Editor Duwayne Dunham on Collaborating with David

April 13, 2022, 09:00 AM

https://filmmakermagazine.com/114020-editor-duwayn...

Five years after the Music Box Theatre’s previous David Lynch retrospective coincided with the television premiere of the highly anticipated Twin Peaks: The Return, the Chicago-based arthouse now presents David Lynch: A Complete Retrospective – The Return, a week-long celebration of Lynch’s work that also pays tribute to his many collaborators, friends and, in one particular instance, offspring.

Dan Oliver and ShangChi VFX team have their eye

March 24, 2022, 08:24 AM

https://if.com.au/dan-oiiver-and-shang-chi-vfx-tea...

The past three projects special effects supervisor Dan Oliver has worked on have included two Marvel titles, two collaborations with Chris Hemsworth, and earned him his second Oscar nomination.

Academy Crafts Furious over Oscars Telecast

March 24, 2022, 08:24 AM

https://www.indiewire.com/2022/02/academy-crafts-f...

Academy members contacted by IndieWire are fuming about Tuesday’s email letter from president David Rubin announcing that five craft and three short film category presentations will be cut out of the live broadcast at the Dolby Theater on March 24. The eight categories consist of animated, documentary, and live action shorts, editing, makeup and hairstyling, original score, production design, and sound.

American Society of Cinematographers Announces Student Heritage Award Winners

March 9, 2022, 01:16 PM

https://theasc.com/news/asc-announces-2022-student...

The American Society of Cinematographers (ASC) announced winners in this year’s Student Heritage Awards on Saturday night (March 5) during a virtual presentation. Three student filmmakers were chosen for demonstrating exceptional cinematography skills in their submitted work.

#awards#cinematography#cinematography awards#film students#asc
Belfast soundscape puts the audience inside a ri

March 3, 2022, 07:51 AM

https://www.latimes.com/entertainment-arts/awards/...

When he was 9, playing in the streets of Belfast one afternoon, Kenneth Branagh thought he heard a distant swarm of buzzing bees coming from down the block. He’d soon learn the buzz was in fact the hum of human rancor generated by rioters storming around the corner.

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