It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 3, 2014, 07:49 AM
http://www.longislandadvance.net/articles/2014/04/...
If anyone can be described as having dint of will it’s Elaine Stritch, the startling, forceful, brutally honest, and enduringly talented 89-year-old actress and singer who stopped them dead on Broadway with ferociously sung Sondheim songs, and who continues to delight audiences with her acting.
April 2, 2014, 03:43 PM
http://www.askaudiomag.com/articles/making-your-tr...
Making sounds pop out in stereo can add much needed dimension to flat sounding mixes. It can also define sections in an arrangement; like a wider sound on the choruses. This is great on vocals, synths, and more. In this article I’ll be showing several techniques and effects that are perfect for accomplishing this. As with all stereo effects, these are best heard with headphones, but even on your monitors you should easily hear the difference. I’m using a simple chord pattern for demonstratin...
April 2, 2014, 12:40 PM
http://www.electronista.com/articles/14/04/02/new....
The previously hinted-at USB Type-C connector has been detailed in a presentation at IDF conference in China. The new connector is smaller than existing USB connectors, supports more power, faster data transfers, and is symmetrical, similar to Apple's Lightning connector.
April 2, 2014, 12:40 PM
http://lesterbanks.com/2014/04/understanding-using...
You most likely have seen the step effector in Action. Quite popular over the last few years, the step effector is responsible for objects that fold/unfold or build up in an animation. Animator Tyler Jordan offers a foundation look at creating an animation that “builds upwards” in Cinema 4D but using C4D’s Step Effector.
April 1, 2014, 07:47 AM
http://www.pro-tools-expert.com/home-page/2014/4/1...
On Monday we were alerted to a rumour that a developer by the name of Fad Opal had found a backdoor that allows any owner of Pro Tools 11 to unlock it to run as Pro Tools HD.
March 29, 2014, 12:35 PM
http://www.pro-tools-expert.com/home-page/2014/3/2...
Continuing the long running saga of the preformance, or should be the lack of performance of the Avid Video Engine in Pro Tools 11. But first lets have a recap, cue VO - “Previously on the Avid Video Engine saga….”
March 28, 2014, 04:51 PM
http://jonnyelwyn.co.uk/film-and-video-editing/pre...
If you're new to editing and wondering which software you should invest your time, money and talent in, then this round up of useful resources comparing the three most prevalent NLEs should help you decide.
#fcpx#avid media composer 7#premiere pro cc#editing software#which nle to useMarch 28, 2014, 12:49 PM
http://www.askaudiomag.com/articles/logic-pro-x-to...
Unlike an analog mixer, digital mixers and many DAWs like Logic Pro X have volume headroom/ceilings internally that are virtually impossible to clip. They work in what is called 32-bit Floating Point. In Logic X, you may have noticed that when a single channel “clips”, its peak indicator lights up orange now instead of red like in Logic 9. This is Apple’s subtle way of showing you that the channel is not really clipping, but is definitely over the zero dB point. Many producers today simply...
March 27, 2014, 07:44 AM
http://wolfcrow.com/blog/how-to-chroma-key-in-adob...
Brett Young shows us how to chroma key in Adobe Premiere Pro...
March 27, 2014, 07:44 AM
http://vfxsoldier.wordpress.com/2014/03/26/dreamwo...
Three years ago I wrote about an anti-poaching agreement revealed in a Federal investigation between Pixar and ILM. The case later expanded to reveal that not only were big high-tech companies like Google and Apple were involved, but these anti-poaching agreements were designed by CEOs like Steve Jobs, Eric Schmidt, and Meg Whitman.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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