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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How Did the 'Dark Fate' VFX Team Bring Back Young

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Everyone is talking about the de-aging in The Irishman and Gemini Man, but what about the epic maneuvers they used in Terminator: Dark Fate to recreate 90s Arnold, Edward Furlong, and Linda Hamilton?

Animation/VFX BAFTA Award Nominations

January 8, 2020, 02:16 PM

https://www.rotoscopers.com/2020/01/07/animation-v...

It is that time once again for the British Academy of Film and Television Arts (BAFTAs) to honour the best in film with the 73rd BAFTA Awards! The major category nominations were revealed by actress Ella Balinska (2019’s Charlies Angles) and actor Asa Butterfield (Hugo) via a live-stream that took place on Tuesday morning (GMT).

Down to the wire: looking back at the VFX of 'Endg

January 8, 2020, 02:16 PM

https://beforesandafters.com/2020/01/08/down-to-th...

At the recent Oscars Visual Effects Bake-Off, Avengers: Endgame visual effects supervisor Dan DeLeeuw mentioned that the complex VFX work in the film was completed with just two-and-a-half weeks to spare before release.

Freebie: Cinema 4D: Divider Plug-in for Procedural

December 27, 2019, 08:40 PM

https://www.toolfarm.com/news/freebie-cinema-4d-di...

Divider, a free Cinema 4D fragmentation plug-in created by Aleksei Karpik, makes it easy to make modular-style topology and looping animation in Cinema 4D.

How Advances in VFX Transform the Potential for St

December 21, 2019, 02:04 PM

https://www.awn.com/vfxworld/how-advances-vfx-tran...

An adaptation of my graphic novel of the same name, Daybreak takes place in a post-apocalyptic world where groups of high school students navigate the terrors of teenage tribalism – and worse.

How do I bring content into Unreal Engine?

December 18, 2019, 01:57 PM

https://beforesandafters.com/2019/12/18/how-do-i-b...

We’re continuing our special series diving into some specific features of Epic Games’ Unreal Engine with this new video guide to Datasmith.

TERMINATOR - DARK FATE: Eric Barba - Overall VFX S

December 11, 2019, 05:54 PM

https://www.artofvfx.com/terminator-dark-fate-eric...

Eric Barba began his visual effects career more than 27 years ago. After working for nearly 20 years at Digital Domain, he joined ILM in 2016. He took care of the effects of films such as ZODIAC, TRON: LEGACY, OBLIVION and ONLY THE BRAVE. He won an Oscar for Best Visual Effects for THE CURIOUS CASE OF BENJAMIN BUTTON.

How ‘Avengers: Engame’ VFX Supervisor Intervie

December 11, 2019, 01:41 PM

https://deadline.com/2019/12/avengers-endgame-vfx-...

A two-time Oscar nominee who has been working on Marvel pics since 2013, visual effects supervisor Dan Deleeuw found some of the most complex blockbuster work of his 26-year career in Joe and Anthony Russo’s Avengers: Endgame.

THE CURRENT WAR: Justin Ball - Overall VFX Supervi

December 10, 2019, 08:23 PM

https://www.artofvfx.com/the-current-war-justin-ba...

In 2011, Justin Ball explained the work of Brainstorm Digital on BOARDWALK EMPIRE. He then worked on projects such as THE ADJUSTMENT OFFICE, TRUE DETECTIVE, AMERICAN HORROR STORY and AMERICAN MADE.

That time a CG elephant crushed a car

December 10, 2019, 01:42 PM

https://beforesandafters.com/2019/12/10/that-time-...

A new Jumanji film, Jumanji: The Next Level, comes out this week. It’s the follow up to Jumanji: Welcome to the Jungle, itself a sequel to the original.

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