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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avenger's Endgame VFX Supervisors Interview

May 23, 2019, 12:26 PM

https://www.artofvfx.com/avengers-endgame-matt-ait...

In 2016, Matt Aitken explained the work of Weta Digital on INDEPENDENCE DAY: RESURGENCE. He then worked on AVENGERS: INFINITY WAR. He speaks to us today about his work on AVENGERS: ENDGAME with Sidney Kombo-Kintombo (Animation Supervisor) and Gerardo Aguilera (FX Supervisor).

Resolves New Object Removal Tool

May 23, 2019, 12:26 PM

https://www.toolfarm.com/news/review-davinci-resol...

Does the new object removal tool in DaVinci Resolve 16 live up to expectations, and is it anything like Adobe’s Content Aware Fill? Lewis McGregor with PremiumBeat took at look at it (still in beta) and got mixed results. You be the judge.

How To Create The Sound Of Venom From The Marvel F

May 23, 2019, 08:19 AM

https://www.pro-tools-expert.com/home-page/2019/5/...

At NAB this year on the Avid blog sound designer Will Files presented a 28 minute tutorial in which he went through in detail on how he built the sound of the creature Venom in the film of the same name.

Rob Bredow Talks ILM VFX, Tech and Strategies at F

May 21, 2019, 10:31 AM

https://www.awn.com/vfxworld/watch-rob-bredow-talk...

With FMX 2019 just finishing up May 3 in Stuttgart, Germany, we’re pleased to present our latest set of exclusive interviews with some of the talented speakers who presented over the packed four-day conference, a group of top industry professionals who converge on the event to lecture, teach and network. Watch and enjoy our insightful and entertaining AWN @ FMX 2019 Professional Spotlight video series featuring some of the biggest names in animation, visual effects, computer graphics and trans...

Triple Frontier VFX Discussion

May 21, 2019, 10:31 AM

https://www.artofvfx.com/triple-frontier-chris-kel...

Chris Keller started his career in visual effects in 2010 at DNEG. He has worked on films such as TOTAL RECALL, MAN OF STEEL, AVENGERS: AGE OF ULTRON and PACIFIC RIM: UPRISING. As a VFX Supervisor, he took care of the effects of films like ANT-MAN AND THE WASP and HOLMES & WATSON.

This is the most amazingly realistic realtime CG h

May 21, 2019, 06:07 AM

https://www.redsharknews.com/post/item/6373-this-i...

This is some of the most remarkable 12:34 you will watch for quite a while, as Doug Roble, Head of Software R&D at vfx powerhouse Digital Domain shows off how to drive a digital human in absolute realtime and with a surprising amount of nuance.

Avengers Endgame VFX Supervisor Interview

May 15, 2019, 10:04 AM

https://www.artofvfx.com/avengers-endgame-scott-ed...

Scott Edelstein has more than 20 years of experience in visual effects. He joined Digital Domain in 2001 and works on many movies such as THE AVENGERS, JACK THE GIANT SLAYER, DEADPOOL, AVENGERS: INFINITY WAR.

Framestore - Their History in the MCU

May 15, 2019, 10:04 AM

https://www.artofvfx.com/framestore-their-history-...

Really nice video with the teams of Framestore talking about their favorite moments in the MCU...

Avengers Endgame VFX Supervisor Interview

May 13, 2019, 12:47 PM

https://www.artofvfx.com/avengers-endgame-dan-dele...

In 2018, Dan DeLeeuw explained his work on AVENGERS: INFINITY WAR. He describes today his work and the challenges on AVENGERS: ENDGAME.

Captive State VFX Creative Director Interview

May 9, 2019, 01:25 PM

https://www.artofvfx.com/captive-state-tom-brass-c...

After working at BBC on PLANET DINOSAUR, Tom Brass joined Jellyfish Pictures in 2011. He worked on many projects such as AMERICAN DYNASTIES: THE KENNEDYS, DEADLY DINOSAURS WITH STEVE BACKSHALL and THE INNOCENTS.

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