It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 23, 2020, 02:00 PM
http://www.cgw.com/Press-Center/Web-Exclusives/202...
There’s no denying both the volume and production standards of film, TV and streaming have reached an all-time high. In 2018, 10 out of the 10 highest grossing films in the US were either visual effects (VFX) movies or computer-animated films. And from 2011 to 2018, the episodic TV industry experienced an 85 percent increase — many of those series relying heavily on VFX.
January 21, 2020, 06:17 PM
https://www.artofvfx.com/the-witcher-aleksandar-pe...
In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.
January 21, 2020, 06:17 PM
https://deadline.com/2020/01/the-irishman-vfx-supe...
On Martin Scorsese’s The Irishman, VFX Supervisor Pablo Helman faced the “astronomical” challenge of de-aging Robert De Niro, Al Pacino and Joe Pesci for a gangster epic that jumped back and forth in time, developing groundbreaking software and a three-part camera rig through which the team at ILM could pull the job off.
January 21, 2020, 02:27 PM
https://beforesandafters.com/2020/01/21/more-of-th...
Back in 2017, I collected a whole bunch of social media postings from actors, directors and filmmakers where they had published pics of themselves or others doing various VFX-related things like being 3D scanned, wearing mocap gear or appearing on greenscreens.
January 20, 2020, 01:53 PM
https://beforesandafters.com/2020/01/20/a-differen...
It’s pretty clear that real-time and game engine technologies have been changing a lot of things in VFX and animation lately, but they’re also big influencers in so many other areas.
January 16, 2020, 07:27 PM
https://www.artofvfx.com/vikings-what-happens-in-t...
Mr. X have released the VFX Breakdown about their work on « What Happens in the Cave » from the Season 5 of VIKINGS...
January 16, 2020, 07:26 PM
https://www.artofvfx.com/lost-in-space-season-2-ja...
Jabbar Raisani has been working in visual effects for over 17 years. He has worked on projects such as FANTASTIC FOUR, PREDATORS, MACHETE and GAME OF THRONES.
January 16, 2020, 01:58 PM
https://cinefex.com/blog/vfx-qa-the-two-popes/
As the Catholic Church faces a pivotal moment in its history, an unlikely friendship blossoms between Pope Benedict XVI (Anthony Hopkins) and the future Pope Francis (Jonathan Pryce). Directed by Fernando Meirelles, the Netflix film The Two Popes is set largely within the walls of the Vatican City. Facing restricted access to the real location, the production shot on sets at Rome’s Cinecittà Studios, including a full-size – though roofless – replica of the Sistine Chapel.
January 14, 2020, 05:19 PM
https://www.artofvfx.com/the-witcher-christopher-g...
THE WITCHER: CHRISTOPHER GRAY – VFX PRODUCER – FRAMESTORE
January 14, 2020, 02:12 PM
https://www.slashfilm.com/the-morning-watch-reacti...
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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