It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 7, 2020, 02:07 PM
https://beforesandafters.com/2020/01/07/when-one-o...
If you’ve read a little about how Weta Digital made a younger version of Will Smith for Ang Lee’s Gemini Man, then you know the overall methodology was to capture Smith with motion capture equipment and then re-create the actor as a fully CG photoreal digital double (in stereo high frame rate, no less).
January 3, 2020, 03:35 PM
https://nofilmschool.com/terrio-apologizes-to-ilm
If you've been on the internet the last few weeks its been impossible to avoid talk about Star Wars and its treatment of Rose Tico. She was only in Rise of Skywalker for a little over one minute long, and the general reason given by Christ Terrio was that she had much more time on screen planned, including a few scenes with Leia.
January 2, 2020, 04:37 PM
https://www.artofvfx.com/the-witcher-julian-parry-...
Julian Parry began his film career as a special effects technician in the early 1980s. He began working in visual effects in 1900 at Rushes Post Production and works on a large number of projects such as SEVEN WONDERS OF THE INDUSTRIAL WORLD, CAMELOT, TITANIC: BLOOD AND STEEL and VIKINGS.
January 1, 2020, 04:38 PM
https://www.slashfilm.com/the-morning-watch-vfx-ar...
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
December 27, 2019, 08:40 PM
https://www.toolfarm.com/news/freebie-cinema-4d-di...
Divider, a free Cinema 4D fragmentation plug-in created by Aleksei Karpik, makes it easy to make modular-style topology and looping animation in Cinema 4D.
December 27, 2019, 02:35 PM
https://beforesandafters.com/2019/12/27/attack-of-...
At one point in Jake Kasdan’s Jumanji: The Next Level, the film’s heroes encounter a single ostrich in the desert who then comes back with an entire flock. The team make their escape in dune buggies in a thrilling chase sequence.
December 21, 2019, 02:04 PM
https://www.awn.com/vfxworld/how-advances-vfx-tran...
An adaptation of my graphic novel of the same name, Daybreak takes place in a post-apocalyptic world where groups of high school students navigate the terrors of teenage tribalism – and worse.
December 20, 2019, 01:39 PM
https://cinefex.com/blog/qa-the-genius-of-ub-iwerk...
Don Iwerks’ book, Walt Disney’s Ultimate Inventor: The Genius of Ub Iwerks, is a fascinating account of the decades-long collaboration between his father and Walt Disney, and the many technical and artistic innovations that arose from that partnership. It is a must-read for anyone with an interest in the ‘good old days’ of filmmaking and effects, when ingenuity, hands and gears, rather than strokes on a keyboard, put spectacular images on the big screen.
December 18, 2019, 01:57 PM
https://beforesandafters.com/2019/12/18/how-do-i-b...
We’re continuing our special series diving into some specific features of Epic Games’ Unreal Engine with this new video guide to Datasmith.
December 17, 2019, 05:03 PM
https://www.artofvfx.com/see-vfx-breakdown-by-pixo...
Pixomondo presents their work on the first season of Apple TV Plus, SEE...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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