It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 17, 2019, 02:49 PM
https://beforesandafters.com/2019/12/17/one-scene-...
What goes into the visual effects for one shot or one scene in a television series?
December 16, 2019, 10:03 PM
https://www.provideocoalition.com/autodesk-arnold-...
From look development to final frame rendering, Arnold 6 with Arnold GPU simplifies content creation. The new update brings flexibility, speed, and power to creative workflows...
December 11, 2019, 05:54 PM
https://www.artofvfx.com/terminator-dark-fate-eric...
Eric Barba began his visual effects career more than 27 years ago. After working for nearly 20 years at Digital Domain, he joined ILM in 2016. He took care of the effects of films such as ZODIAC, TRON: LEGACY, OBLIVION and ONLY THE BRAVE. He won an Oscar for Best Visual Effects for THE CURIOUS CASE OF BENJAMIN BUTTON.
December 11, 2019, 01:41 PM
https://deadline.com/2019/12/avengers-endgame-vfx-...
A two-time Oscar nominee who has been working on Marvel pics since 2013, visual effects supervisor Dan Deleeuw found some of the most complex blockbuster work of his 26-year career in Joe and Anthony Russo’s Avengers: Endgame.
December 10, 2019, 08:23 PM
https://www.artofvfx.com/the-current-war-justin-ba...
In 2011, Justin Ball explained the work of Brainstorm Digital on BOARDWALK EMPIRE. He then worked on projects such as THE ADJUSTMENT OFFICE, TRUE DETECTIVE, AMERICAN HORROR STORY and AMERICAN MADE.
December 10, 2019, 01:42 PM
https://beforesandafters.com/2019/12/10/that-time-...
A new Jumanji film, Jumanji: The Next Level, comes out this week. It’s the follow up to Jumanji: Welcome to the Jungle, itself a sequel to the original.
December 9, 2019, 01:53 PM
https://www.provideocoalition.com/after-effects-pe...
At the heart of every modern computer is the CPU – the central processing unit. For several decades the CPU has been the main focus of the computer, with the name of the CPU sometimes used as the name for the computer itself. In the 1990s Windows users were introduced to the “Pentium”, and Apple would go on to release a range of G3, G4 and G5 computers. The CPU has become synonymous with the actual computer, the definitive part of the machine.
December 9, 2019, 01:53 PM
https://beforesandafters.com/2019/12/09/how-animal...
This deep dive into Animal Logic’s character FX pipeline and the use of Houdini was presented by lead character FX artist Adam Katz at SideFX’s Houdini HIVE at SIGGRAPH Asia 2019.
December 6, 2019, 08:13 PM
https://www.studiodaily.com/2019/12/irishman-de-ag...
Some of the pre-release buzz around The Irishman was … skeptical. Yes, director Martin Scorsese remains one of the most celebrated filmmakers in the world, but wasn’t he repeating himself by making another mob movie starring Robert De Niro? How could he justify a three-and-a-half-hour running time? And what about reports that the film was using de-aging techniques to allow De Niro, Joe Pesci and Al Pacino to play younger versions of their characters in the film? Was Scorsese’s character-an...
December 6, 2019, 02:08 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — The Academy of Motion Picture Arts and Sciences (oscars.org) has announced that 20 films are in the running in the Visual Effects category for the 92nd Academy Awards. The Academy’s Visual Effects Branch Executive Committee determined the preliminary list of films eligible for further awards consideration. Later this month, the committee will select a shortlist of 10 films that will advance to nominations voting.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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