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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Walter Murch, ACE clarifies concepts from In the B

February 11, 2020, 02:10 PM

https://www.provideocoalition.com/aotc-murch-books...

Walter Murch, ACE, has edited for more than six decades on more than 60 films and more Oscars, Emmys, Eddies and BAFTA awards than I can mention. Just go to his imdb page and save me some time.

‘Ford v Ferrari’ Wins Oscar For Best Editing

February 10, 2020, 01:33 PM

https://deadline.com/2020/02/ford-v-ferrari-wins-o...

Ford v Ferrari racked up its second Oscar tonight by triumphing in the Film Editing field, with editors Michael McCusker and Andrew Buckland both celebrating a debut win.

The Rise Of The Single-Shot Movie In A Hyper-Edite

February 10, 2020, 01:33 PM

https://www.kalw.org/post/who-needs-high-tech-film...

The technical wonder of a movie, 1917, could win up to 10 Oscars on Sunday. Filmed to look like a single shot, its view is glued upon two soldiers racing behind enemy lines during the ravages of World War I. This is the second time in recent years that a one-shot film swept up Oscar nominations. Birdman won Best Picture, Best Director and Best Cinematography in 2015.

2020 Oscars Video Highlights: Speeches, Musical Pe

February 10, 2020, 01:32 PM

https://www.slashfilm.com/the-morning-watch-2020-o...

The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.

Building a photo and video editing DREAM MACHINE f

February 6, 2020, 07:44 PM

https://www.provideocoalition.com/building-a-photo...

The 2019 DREAM MACHINE built around a mainstream Intel i9 9700K gives place, this year, to a solution from AMD, the Ryzen 9 3900X, which is not only impressive on specs but also in real world tasks.

We'll Fix It In Post: The 5 Scariest Words on Any

February 6, 2020, 07:44 PM

https://www.filmmakingstuff.com/fix-it-in-post/

There are always a few things that scare me during film production. I’m not talking the “BOO” kind of haunted house spooky scares. It’s more the stuff people say on set, like: “I’m not sure we really got that last scene?” And then I look around and notice our main actor is already out of makeup an on his way home. That is no fun.

Art of the Cut Podcast Eps. 33 (“The Rhythm Sect

February 6, 2020, 02:19 PM

https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode,...

Editor Jeff Groth explains Gary Glitter song choic

February 5, 2020, 04:44 PM

https://www.nme.com/news/film/joker-steps-scene-ga...

The editor of superhero origin story Joker has explained why 1982 Gary Glitter track ‘Rock and Roll Part 2’ was used during the film.

‘The Cave’ Editor: ‘It Was Like Hell Going I

February 4, 2020, 08:24 PM

https://variety.com/2020/artisans/news/the-cave-sy...

Editor Per K. Kirkegaard is proud of “The Cave’s” road to the Oscars. The documentary from filmmaker Feras Fayyad immerses viewers into the Syrian Civil War, showing the brutality and tragedy of the conflict.

Joan Sobel, ACE, on editing "The Rhythm Section" b

February 4, 2020, 02:04 PM

https://www.provideocoalition.com/aotc-rhythm-sect...

Joan Sobel, ACE worked as first assistant editor to editing legend Sally Menke on several films, including both Kill Bill films. She edited 2002’s Oscar-winning short The Accountant and the 2005 feature film, The Quiet, followed by a steady string of work including A Single Man, Admission, and The Perfect Guy.

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