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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Adobe software used by 82% of Sundance Festival fi

January 24, 2020, 02:10 PM

https://futurefive.com.au/story/adobe-software-use...

Adobe is continuing its dominance in the film editing business, as an official survey of films appearing at the Sundance Film Festival finds Premiere Pro is the preferred editing software of the majority of the movies, with 56% of the films using the programme.

Sundance 2020: The Importance Of Editing In “Boy

January 24, 2020, 02:10 PM

https://www.hdvideopro.com/blog/sundance-2020-the-...

With the Sundance Film Festival 2020 opening today, we decided to take a closer look at the “Boys State” screening in the U.S. Documentary Competition, a work that promises to be a political, coming-of-age film examining the well being of the American democracy. The documentary covers an unusual trial: The gathering of a thousand 17-year-old boys in Texas who band together to build a representative government from the ground up. Produced and directed by Jesse Moss and Amanda McBaine, “Boy...

Sundance Institute and Adobe create a new Women-fo

January 23, 2020, 07:49 PM

https://www.provideocoalition.com/sundance-institu...

The new Women at Sundance | Adobe Fellowship aims to help female filmmakers launch successful and sustainable careers, through a cash grant and participation in a Sundance Institute Lab or Program.

Major new collaborative tools feature in Premiere

January 23, 2020, 07:48 PM

https://www.redsharknews.com/post/item/6935-major-...

Productions is a panel which provides a toolset to manage projects, share assets, and organize these assets in either a collaborative or solo production environment.

MOTION BLUR: There’s Fast and Then There’s Fas

January 23, 2020, 02:13 PM

https://newbluefx.com/blog/motion-blur-theres-fast...

• Customizing Streak and Speed Effects Intelligently Problem: The ad agency's theme for their product is “Speed”. They ask: What can you do that's cool and trendy to enhance and enforce that idea, and...we have no money.” They don't know what they want, but when they see it, they'll know it. It's up to you. The post MOTION BLUR: There’s Fast and Then There’s Faster appeared first on NewBlue.

Schoonmaker on Editing The Irishman

January 23, 2020, 02:00 PM

https://www.motionpictures.org/2020/01/the-irishma...

Three-time Oscar winner Thelma Schoonmaker‘s association with Martin Scorsese even pre-dates his storied collaboration with Robert DeNiro. She edited his Who’s That Knocking At My Door in 1967, picked up the first of eight Oscar nominations for editing Woodstock, went on hiatus for a few years, then returned to the Scorsese fold in 1980 to edit his famously brutal Raging Bull. Since then, Schoonmaker’s cut every Scorsese movie, and she’s nominated for her work The Irishman, which nabbed ...

11 Tips to Make Mindblowing Instagram Videos

January 21, 2020, 05:06 AM

https://www.filmcrux.com/blog/instagram-videos

Making stunning Instagram videos is no easy task. Not only are there a ton of restrictions on what you’re able to do with your videos, but essentially, it’s filmmaking in a wildly different format than we’ve seen in the past. That’s why we put together this guide featuring 11 of the best tips for making mindblowing Instagram videos.

#tutorial#tips#video editing#instagram#social media#lists#instagram videos
Joker Editor on Ambiguity, That Ending, and Joaqui

January 20, 2020, 08:23 PM

https://collider.com/joker-interview-editor-jeff-g...

The Warner Bros. film Joker, which racked up 11 Oscar nominations last week, is not your traditional comic book adaptation. That’s true of not just the narrative of the film—in that it’s a character study more than a set piece-driven story—but also the filmmaking and construction of what we see onscreen. Director/co-writer Todd Phillips pushed for a gritty, naturalistic aesthetic that reflected the world inhabited by Joaquin Phoenix’s Arthur Fleck, and everything we see in the film is ...

‘Parasite,’ ‘Jojo Rabbit’ Win ACE Eddie Aw

January 18, 2020, 08:51 PM

https://variety.com/2020/film/news/parasite-jojo-r...

“Parasite” and "Jojo Rabbit" have won the top feature film trophies at the 70th Annual ACE Eddie Awards at the Beverly Hilton Hotel.

2020 ACE TV Eddies: ‘Fleabag’ and ‘Game of T

January 18, 2020, 08:51 PM

https://www.indiewire.com/2020/01/2020-ace-eddies-...

HBO's "Game of Thrones" and Amazon's "Fleabag" may be dead and gone, but they are most certainly not forgotten.

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