Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How Ghost In The Shell's VFX Supervisor

April 14, 2017, 09:19 AM

https://www.wheretowatch.com/2017/04/how-ghost-she...

A cult hit since its manga origins, Rupert Sanders’s live-action Ghost in the Shell has had to meet high fan expectations, particularly in regard to visuals. The film is as well known for its gritty, near-future post-cyberpunk aesthetic thanks to Mamoru Oshii’s 1995 animated film, and as Paramount Picture’s Scarlett Johansson-driven feature arrived in theaters, a legion fans were more curious about what the movie would would like than the cybernetic-focused science fiction plot. We chatted...

Meet Cinefex at VRLA Expo 2017

April 12, 2017, 08:01 AM

http://cinefex.com/blog/meet-cinefex-at-vrla-expo-...

The Dreamsmiths Unleashed - Cinefex at VRLA 2017If you’re in Los Angeles this weekend, here’s your chance to meet us in person. Cinefex has a booth at the world’s largest immersive technology expo, VRLA Expo 2017. If you’re in the main hall, drop in and say hello – we’d love to meet you!

Attach objects to Surface Planes in AE

March 16, 2017, 02:38 PM

http://www.4kshooters.net/2017/03/16/how-to-quickl...

This is probably one of the coolest and easiest post-production tricks you can do in After Effects CC, especially when you need to deal with a clip with some sort of camera movement involved in it. And the best part is that the possibilities of this effective trick are virtually limitless once you get it right.

15 Slideshow Templates for AE

March 14, 2017, 06:02 AM

https://photography.tutsplus.com/articles/15-top-s...

Slideshows are a great way to grab someone's attention, and hold onto it. We've selected some of the best After Effects templates from Envato Market to ensure your presentation makes the impact it deserves.

WALMART "The Gift": VFX Breakdown by Zero VFX

March 13, 2017, 12:16 PM

http://www.artofvfx.com/walmart-the-gift-vfx-break...

Zero VFX presents their VFX work on this WALMART commercial directed by Antoine Fuqua...

VFX and design artists are about to hit Melbourne

March 8, 2017, 06:33 PM

https://vfxblog.com/2017/03/08/a-bunch-of-world-cl...

I’ve got to travel around to a few conferences and events recently and what I’ve found is, there’s nothing quite like hearing and learning directly from artists in visual effects and design – in person.

VFX Supervisor On LAIKA’s Major Innovations

February 17, 2017, 10:49 AM

http://deadline.com/2017/02/kubo-and-the-two-strin...

9In scooping a visual effects Oscar nomination, Travis Knight’s Kubo and the Two Strings became the first animated film to do so since 1993’s The Nightmare Before Christmas—a recognition due, in part, to the work of visual effects supervisor Steve Emerson, who also this month received the VES Award for Outstanding Visual Effects in an Animated Feature, alongside Knight, producer Arianne Sutner, and Brad Schiff.

My 2017 VR Wish List

January 11, 2017, 01:13 PM

http://www.awn.com/blog/my-2017-vr-wish-list

The following is my VR wish list for 2017: ten "stretch goals" across hardware, software, apps, content and distribution. While not all of these will deliver by year's end, I believe a certain amount of blue sky aspiration is in order for the good of the VR ecosystem. And despite an encouraging spate of AR/VR/MR announcements and demos at CES 2017 (check out UploadVR for the latest), we're not nearly there yet.

'Blade Runner' fan project recreates a whole set i

January 2, 2017, 08:05 AM

https://www.engadget.com/2017/01/02/blade-runner-v...

If you're a movie buff, you've probably wished that you could walk into a scene and explore it on your own terms. Well, so did software engineer Quentin Lengele -- and he's close to making his dream a reality. He recently released footage of Blade Runner 9732, a years-long project that sets out to recreate Blade Runner protagonist Rick Deckard's apartment in virtual reality using the Unity engine.

Method Delivers VFX Magic for WB’s ‘Fantastic

December 2, 2016, 05:44 PM

http://www.awn.com/news/method-delivers-vfx-magic-...

Deluxe Entertainment-owned VFX house contributes to the film’s opening and closing sequences in addition to environmental and creature work, as well as reimagining the look of the ‘apparate’ and ‘disapparate’ effects from the Harry Potter films through which a wizard magically teleports into or out of a scene.

1 36 37 38 39 40 53

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.