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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

X-Men Dark Phoenix - Greg Butler VFX Supervisor In

August 5, 2019, 12:15 PM

https://www.artofvfx.com/x-men-dark-phoenix-greg-b...

In 2015, Greg Butler told us about the work of MPC on AMERICAN SNIPER. He then worked on films like GOOSEBUMPS, THE FINEST HOURS, MONSTER TRUCKS and THE MUMMY.

Far From Home VFX Supervisor Interview

August 1, 2019, 09:59 AM

https://www.artofvfx.com/spider-man-far-from-home-...

In 2017, Theo Bialek had explained to us the work of Sony Pictures Imageworks on SPIDER-MAN: HOMECOMING. He then worked on LOVE, DEATH & ROBOTS. He talks to us today about his work on SPIDER-MAN: FAR FROM HOME.

Maxon and Release 21 FAQ

August 1, 2019, 09:59 AM

https://www.toolfarm.com/news/maxon-release-21-faq...

Lots of changes are coming to MAXON and Cinema 4D, so we’ve started compiling all the info we have, in an effort to make it easy for you to get the answers you seek.

10 innovations that changed the world of CG

August 1, 2019, 05:47 AM

https://www.creativebloq.com/features/10-innovatio...

Advances in computer hardware have had a huge effect on the world of CG, bringing improvements across the board in visual quality, interactivity and accessibility. Here, we take a look at the innovations that have transformed the way we work with CG, and contributed to some of our favourite 3D movies.

Lion King VFX Supervisor Interview

July 29, 2019, 10:11 AM

https://www.artofvfx.com/the-lion-king-elliot-newm...

Elliot Newman began his career in visual effects in 2002 and joined MPC in 2004. He worked on many films such as PROMETHEUS, WORLD WAR Z, 300: RISE OF AN EMPIRE and THE JUNGLE BOOK.

Everything You Need to Know About Chroma Key

July 29, 2019, 10:11 AM

https://www.premiumbeat.com/blog/chroma-key-green-...

The use of green screens has come a long way over the past few decades. Technology that was primarily reserved for Hollywood blockbusters and local news stations is now utilized by many of your favorite YouTubers. Here, we’ll guide you through the entire process of using green screen backgrounds from start to finish. We’ll talk lighting, cinematography, keying, and common mistakes.

Far From Home VFX Supervisor Interview

July 24, 2019, 12:13 PM

https://www.artofvfx.com/spider-man-far-from-home-...

Jörn Großhans started his career in visual effects in 2004. He worked at Pixomondo and Mackevision before joining Image Engine in 2018. He has worked on numerous shows such as SUCKER PUNCH, HUGO, THE SHANNARA CHRONICLES and GAME OF THRONES.

A VFX oral history of Samuel L. Jackson's shocking

July 24, 2019, 05:48 AM

https://beforesandafters.com/2019/07/24/deep-blue-...

As on-screen deaths go, Samuel L. Jackson’s sudden mid-film send-off in Renny Harlin’s shark sci-fi horror Deep Blue Sea is an absolute killer (and Jackson has had a few).

VFX Super for Far From Home Interview

July 23, 2019, 09:30 AM

https://www.artofvfx.com/spider-man-far-from-home-...

Julius Lechner began his career in visual effects a decade ago. He has worked in many studios such as Pixomondo, Industrial Light & Magic and Scanline VFX. He has worked on many films like IRON MAN 3, TEENAGE MUTANT NINJA TURTLES, JUSTICE LEAGUE and AQUAMAN.

Spiderman Far From Home VFX Discussion

July 18, 2019, 10:00 AM

https://www.artofvfx.com/spider-man-far-from-home-...

Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.

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