It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 2, 2019, 09:15 AM
https://www.artofvfx.com/game-of-thrones-season-8-...
In the past year, Mohsen Mousavi explained the work of Scanline VFX on THE MEG. He is back today to tell us about his work on the final season of GAME OF THRONES.
July 2, 2019, 06:11 AM
https://www.premiumbeat.com/blog/interview-michael...
PremiumBeat: You’ve worked in the VFX world for a long time as a supervisor on projects such as Snow White and the Huntsman and Charlotte’s Web. What is your process? Are you normally involved with the producers and director during pre-production regarding what can be live action and what should be an effect?
July 2, 2019, 06:11 AM
https://www.artofvfx.com/nifff-extended-2019-the-v...
In just one week, NIFFF Extended will purpose the a new serie of great conferences about games, transmedia and VFX.
July 1, 2019, 09:03 AM
https://photography.tutsplus.com/tutorials/24-esse...
The more time that you spend in an app, the more beneficial it is to learn a few keyboard shortcuts. They're extremely useful to automate those repetitive tasks.
June 27, 2019, 06:30 AM
https://www.mpaa.org/2019/06/how-a-global-vfx-effo...
From Sony Pictures Imageworks headquarters in Culver City, California, visual effects supervisor Dan Kramer helped coordinate a worldwide array of CGI artists to produce some 2000 VFX shots for the aptly named Men In Black: International.
June 27, 2019, 06:28 AM
https://cinefex.com/blog/deaddontdie/
Zombies come in many flavors. For many horror devotees, George A. Romero defined the genre with his Pittsburgh-made 1968 Night of the Living Dead. The black and white, 16mm shocker depicted shuffling corpses with a hunger for flesh ostensibly triggered, per a half-glimpsed TV news report, by a crashed Venusian probe...
June 19, 2019, 12:28 PM
https://www.artofvfx.com/godzilla-king-of-the-mons...
Daryl Sawchuk started his career in visual effects in 2006 at MPC and works on many films like 10,000 BC, SUCKER PUNCH, MAN OF STEEL and GODZILLA. In 2016, he joined Method Studios and worked on DOCTOR STRANGE, JUSTICE LEAGUE and BLACK PANTHER.
June 19, 2019, 06:00 AM
https://www.animationmagazine.net/technology/red-g...
Red Giant has announced VFX Suite, an all-new set of keying, tracking, cleanup and visual effects compositing tools within Adobe After Effects.
June 18, 2019, 12:56 PM
https://www.artofvfx.com/godzilla-king-of-the-mons...
In 2017, Guillaume Rocheron explained his work on GHOST IN THE SHELL. Today he tells us about his reunion with Godzilla for GODZILLA: KING OF THE MONSTERS.
June 12, 2019, 12:19 PM
https://beforesandafters.com/2019/06/13/how-to-mak...
In writing about VFX, I’m sometimes guilty of describing perhaps in too simple terms how a shot or sequence goes from concept to final. There are, of course, so many steps along the way, and I was intrigued how perhaps just one department, such as compositing, handles its part of the process.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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