June 12, 2019, 12:19 PM
In writing about VFX, I’m sometimes guilty of describing perhaps in too simple terms how a shot or sequence goes from concept to final. There are, of course, so many steps along the way, and I was intrigued how perhaps just one department, such as compositing, handles its part of the process.
Cindy Mollo sits down to discuss the editing of Ozark.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
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