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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Rob Bredow Talks ILM VFX, Tech and Strategies at F

May 21, 2019, 10:31 AM

https://www.awn.com/vfxworld/watch-rob-bredow-talk...

With FMX 2019 just finishing up May 3 in Stuttgart, Germany, we’re pleased to present our latest set of exclusive interviews with some of the talented speakers who presented over the packed four-day conference, a group of top industry professionals who converge on the event to lecture, teach and network. Watch and enjoy our insightful and entertaining AWN @ FMX 2019 Professional Spotlight video series featuring some of the biggest names in animation, visual effects, computer graphics and trans...

Triple Frontier VFX Discussion

May 21, 2019, 10:31 AM

https://www.artofvfx.com/triple-frontier-chris-kel...

Chris Keller started his career in visual effects in 2010 at DNEG. He has worked on films such as TOTAL RECALL, MAN OF STEEL, AVENGERS: AGE OF ULTRON and PACIFIC RIM: UPRISING. As a VFX Supervisor, he took care of the effects of films like ANT-MAN AND THE WASP and HOLMES & WATSON.

This is the most amazingly realistic realtime CG h

May 21, 2019, 06:07 AM

https://www.redsharknews.com/post/item/6373-this-i...

This is some of the most remarkable 12:34 you will watch for quite a while, as Doug Roble, Head of Software R&D at vfx powerhouse Digital Domain shows off how to drive a digital human in absolute realtime and with a surprising amount of nuance.

Avengers Endgame VFX Superviser Interview

May 16, 2019, 10:25 AM

https://www.artofvfx.com/avengers-endgame-stuart-p...

In 2017, Stuart Penn explained to us the work of Framestore on ALIEN: COVENANT. He then took care of the effects of the films KINGSMAN: THE GOLDEN CIRCLE and PADDINGTON 2.

Avengers Endgame VFX Supervisor Interview

May 15, 2019, 10:04 AM

https://www.artofvfx.com/avengers-endgame-scott-ed...

Scott Edelstein has more than 20 years of experience in visual effects. He joined Digital Domain in 2001 and works on many movies such as THE AVENGERS, JACK THE GIANT SLAYER, DEADPOOL, AVENGERS: INFINITY WAR.

Framestore - Their History in the MCU

May 15, 2019, 10:04 AM

https://www.artofvfx.com/framestore-their-history-...

Really nice video with the teams of Framestore talking about their favorite moments in the MCU...

Avengers Endgame VFX Supervisor Interview

May 13, 2019, 12:47 PM

https://www.artofvfx.com/avengers-endgame-dan-dele...

In 2018, Dan DeLeeuw explained his work on AVENGERS: INFINITY WAR. He describes today his work and the challenges on AVENGERS: ENDGAME.

Captive State VFX Creative Director Interview

May 9, 2019, 01:25 PM

https://www.artofvfx.com/captive-state-tom-brass-c...

After working at BBC on PLANET DINOSAUR, Tom Brass joined Jellyfish Pictures in 2011. He worked on many projects such as AMERICAN DYNASTIES: THE KENNEDYS, DEADLY DINOSAURS WITH STEVE BACKSHALL and THE INNOCENTS.

A Dog's Way Home VFX Supervisor Interview

May 6, 2019, 10:01 AM

https://www.artofvfx.com/a-dogs-way-home-matt-welf...

Matt Welford began his career in the visual effects in 1999 at Mill Film as digital compositor. He then worked in many studios such as Weta Digital, MPC, Sony Pictures Imageworks before joining Pixomondo in 2017. As a VFX Supervisor, he took care of the effects of many movies like THE CHRONICLES OF NARNIA: THE VOYAGE OF DAWN TREADER, GREEN LANTERN and AMERICAN SNIPER.

AMD's roadmap: Look under the hood and there's som

May 3, 2019, 06:17 AM

https://www.redsharknews.com/technology/item/6334-...

Later this month AMD will hold an event at Computex that, if rumours are to be believed, will announce some incredible advances to the CPU market. 2019 is really hotting up.

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