It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 16, 2013, 06:28 AM
http://nofilmschool.com/2013/01/high-apple-prices/
More than anything, users appreciate the undeniable consistency (and therefore, customer confidence) that comes with any Apple machine or app. This applies to both consumers and professionals, though some of the latter may hesitate in days to come. Of course, achieving this consistency can be a double-edged sword — the very measures that guarantee the quality you’ve come to know and respect of Apple computing are the same tendencies that see them labeled as “notoriously controlling.”
#appleJanuary 15, 2013, 02:44 PM
http://digitalassetmanagementnews.org/opinion/reas...
David Diamond, author of the DAM Survival Guide, Marketing Director at Picture Park and contributor to DAM News has written an article for CMSWire, provocatively titled: 5 Good Reasons to Avoid DAM Software. The item is partly tongue-in-cheek and uses a mix of Luddite arguments and deliberate reduction of DAM to its file storage basics (see the Google Drive point).
#digital asset management#dam#asset management#david diamondJanuary 14, 2013, 08:42 PM
http://daredreamermag.com/2013/01/14/could-final-c...
One other thing. I wrote this review because a lot of reviews I’ve read were either passionate filmmakers pissed off (therefore biased against writing an objective review), veteran editors who have a financial incentive for you to get FCPX...
#fcpx#final cut pro x#nle#appleJanuary 14, 2013, 03:06 PM
http://www.goldderby.com/news/3782/can-lincoln-win...
Only nine movies have won Best Picture without at least being nominated for the editing Academy Award since it was introduced in 1934. The last of these was "Ordinary People" in 1980.
#award#awards#academy#lincoln#oscars#ampas#bestJanuary 13, 2013, 08:00 PM
http://www.indiewire.com/article/heroines-of-cinem...
Unlike the frequent depressing statistics on female directors or cinematographers, editing is one creative role in cinema where women have traditionally held their own. From “E.T.” to “Lawrence of Arabia”, numerous big budget, studio films have been cut by women, with legends in the field including Thelma Schoonmaker, seven-time Oscar-nominated editor of Martin Scorsese’s films, and Sally Menke, editor of all Quentin Tarantino’s films and described by him as his “only truly genuine...
#film editor#film editing#cinema#heroinesJanuary 13, 2013, 07:58 PM
http://digitalassetmanagementnews.org/features/the...
In 2011 and 2012, we assessed the prospects for the DAM sector with reference to the technology and business aspects of the industry. This year, we have elected to handle things slightly differently.
#digital asset management#dam#value chainJanuary 13, 2013, 09:30 AM
http://nofilmschool.com/2013/01/vimeo-better-audio...
There’s no doubt that things can get a bit confusing regarding non-integer frame rates — a decimal-specific frames-per-second count isn’t exactly an intuitive aspect of video. Of course, beginners can’t learn such distinctions if they’re going unspecified — a fact Vimeo has recently (and finally) addressed in updating their compression guidelines. Even more importantly, Vimeo is slowly but surely raising the quality ceiling in its encoding of your media — albeit in audio-only, in t...
January 12, 2013, 02:07 PM
http://www.runleiarun.com/ghostbusters/chapter5.sh...
I've been a professional editor since 2007, after clawing my way up through the ranks as an assistant editor, logger and, the lowest of the low, film student. You name it, I've cut it—short and feature films, documentaries, television series, music videos, commercials.
#editor#editing#film editing#ghostbustersJanuary 12, 2013, 11:32 AM
http://www.postmagazine.com/Post-Blog/2013/January...
I am now at the Idyllwild Film Festival in California where I will be screening my new Feature Documentary "Seadrift vs The Big Guy" Sunday Morning at the Rustic Cinema.
#wrap up#cesJanuary 12, 2013, 11:29 AM
http://nofilmschool.com/2013/01/build-futuristic-t...
2012 saw effects plugin company Red Giant blur the line between advertisement and compelling short film with Plot Device and Time Warp. But as good as both those shorts were, if I’m honest, the demonstrations which really raise my excitement levels are those that are developed in bedrooms with a mighty staff of one.
#adobe#after effects#ae#trapcode
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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