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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Framestore Delivers VFX Artistry for Marvel Studio

April 2, 2019, 06:33 AM

https://www.awn.com/news/framestore-delivers-vfx-a...

Framestore VFX supervisor Christian Kaestner oversees more than 130 awe-inspiring shots for the first film in the Marvel Cinematic Universe to feature a female superhero lead.

Love, Death, and Robots VFX Supervisor

April 1, 2019, 10:49 AM

https://www.artofvfx.com/love-death-robots-tim-mil...

In 2016, Tim Miller explained his work and that of Blur Studio on DEADPOOL. He is back today to talk about LOVE, DEATH & ROBOTS.

Debbie Berman on her Fav. Captain Marvel Scenes

April 1, 2019, 10:49 AM

https://www.mpaa.org/2019/04/captain-marvels-co-ed...

In order to defeat the all-powerful Thanos, the Avengers will have to reach back in time. That doesn’t mean using the Time Stone to rewind back to before the snap, although we won’t rule that out. I’m referring to our recent trip to 90s era MCU to meet the newest and most potent Avenger.

15 Modern/Minimalist AE Templates

March 27, 2019, 06:02 AM

https://photography.tutsplus.com/tutorials/15-mode...

A minimal video focuses on a few key elements. Simple text, clean graphics, and bold colors help your content take center stage.

Trixter Delivers Purr-fect VFX for Captain Marvel

March 27, 2019, 06:01 AM

https://www.awn.com/news/trixter-delivers-purr-fec...

Marking the company’s tenth collaboration with Marvel Studios, Munich-based VFX house Trixter delivers CG spaceships, downtown LA environments and a CG cat named Goose for ‘Captain Marvel.’

Captain Marvel's VFX Supervisor Interview

March 26, 2019, 11:59 AM

https://www.artofvfx.com/captain-marvel-dominik-zi...

In 2017, Dominik Zimmerle explained the work of Trixter on SPIDER-MAN: HOMECOMING. He then worked on LOST IN SPACE before returning to the MCU with CAPTAIN MARVEL.

Iron Sky 2 - VFX Breakdown

March 26, 2019, 09:07 AM

https://www.artofvfx.com/iron-sky-2-the-coming-rac...

Pixomondo presents their VFX and Previz work on IRON SKY 2 – THE COMING RACE...

Epic’s Unreal Engine just keeps getting better

March 26, 2019, 06:00 AM

https://www.redsharknews.com/technology/item/6234-...

One of the fixtures of the annual Game Developers Conference that just wrapped in San Fransisco is Epic’s annual showcase for its Unreal Engine’s capabilities, and this year it showed just how far it is now pushing realtime CGI.

The Mill Brings VFX & Colour to New Levels

March 21, 2019, 07:21 AM

https://www.4rfv.co.uk/industrynews/257228/the_mil...

Internationally-renowned visual effects and content creation studio The Mill has recently invested in a number of BLG for Flame licences from FilmLight. This allows its VFX artists to see the latest colour grade on background plates and live action shots in context so that they can finesse the CGI to fit naturally, with no back and forth to the colour suite to render out new versions of shots.

Captain Marvel VFX Supervisor Interview

March 19, 2019, 12:26 PM

https://www.artofvfx.com/captain-marvel-christophe...

In 2017, Christopher Townsend explained his work on GUARDIANS OF THE GALAXY VOL.2. He talks to us today about his fifth film in the Marvel Cinematic Universe, CAPTAIN MARVEL.

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