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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VFX Supervisor Roger Guyett On The Thousands Of Ch

February 6, 2019, 07:32 AM

https://deadline.com/2019/02/ready-player-one-roge...

Between Saving Private Ryan and Ready Player One—the critically acclaimed adaptation of Ernest Cline’s 2011 novel—VFX supervisor Roger Guyett has been along for the ride on two of the most demanding projects of Steven Spielberg’s career.

VFX Gurus Explain Their Approach to Aquaman

February 2, 2019, 05:34 AM

https://www.digitaltrends.com/movies/aquaman-visua...

DC Comics’ lord of the seas made quite a splash on the big screen when Aquaman arrived in theaters in December, and the Warner Bros. Pictures film recently moved past The Dark Knight Rises to become the highest-grossing movie of all time based on a DC character.

VES announces 2019 board of directors

January 31, 2019, 10:56 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — The Visual Effects Society (VES) has announced its 2019 board of directors. The officers, who comprise the VES Board Executive Committee, were elected at the January 2019 board meeting.

Bird Box VFX Supervisor Interview

January 31, 2019, 10:56 AM

https://www.artofvfx.com/bird-box-marcus-taormina-...

Marcus Taormina began his visual effects career more than 10 years ago. He has worked on many movies like THE AMAZING SPIDER-MAN, FURY, TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS and BRIGHT.

Bird Box VFX Supervisor on the Monsters you don't

January 31, 2019, 10:55 AM

https://www.mpaa.org/2019/01/bird-boxs-vfx-supervi...

What happens when Marcus Taormina, 34, tells people that he was the visual effects supervisor on the wildly popular Netflix film Bird Box?

MARY POPPINS RETURNS – and So Do Old-School Effe

January 30, 2019, 05:46 AM

http://vfxvoice.com/mary-poppins-returns-and-so-do...

MARY POPPINS RETURNS Visual Effects Supervisor Matt Johnson on honoring the original film’s timeless analog qualities

Aquaman VFX Supervisors Interview

January 29, 2019, 10:07 AM

https://www.artofvfx.com/aquaman-josh-simmonds-cra...

With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON’T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS.

The VFX secrets behind Marvel's Venom character

January 24, 2019, 10:43 AM

https://www.creativebloq.com/features/the-vfx-behi...

After producing post-apocalyptic horror comedy Zombieland and crime drama Gangster Squad, filmmaker Ruben Fleischer entered into the realm of superheroes with Venom.

Emperor of Paris VFX Supervisor Interview

January 24, 2019, 10:43 AM

https://www.artofvfx.com/the-emperor-of-paris-aure...

Aurelie Lajoux began her visual effects career in the early 2000s at Duboi. At CGEV and as a VFX Supervisor, she took care of the effects of many movies such as BRICE 3, WHAT HAPPENED TO MONDAY, SANTA & CIE and VERSAILLES.

Avengers INFINITY WAR VFX Case Study

January 22, 2019, 08:42 PM

https://www.allanmckay.com/infinitywar/

Recently I created episode 1 of the VFX Breakdown - which was about Sony's new movie VENOM. This was a lot of fun and got a lot of great reception, both from industry VFX Supervisors, as well as fans of the film.

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