It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 23, 2020, 02:00 PM
https://www.creativebloq.com/news/real-life-render...
The cool thing about animation is that while the elements of a story may feel familiar – perhaps the characters are human, and live in the sort of houses we recognise – the animated format allows us to suspend our disbelief. Things happen in cartoons that wouldn't happen in real life. And largely, as an audience, we'll happily accept that.
January 21, 2020, 06:17 PM
https://www.artofvfx.com/the-witcher-aleksandar-pe...
In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.
January 21, 2020, 06:17 PM
https://deadline.com/2020/01/the-irishman-vfx-supe...
On Martin Scorsese’s The Irishman, VFX Supervisor Pablo Helman faced the “astronomical” challenge of de-aging Robert De Niro, Al Pacino and Joe Pesci for a gangster epic that jumped back and forth in time, developing groundbreaking software and a three-part camera rig through which the team at ILM could pull the job off.
January 17, 2020, 02:12 PM
https://michaelkammes.com/casestudy/dmec2018/
Educators are always looking to stay at the forefront of technology to be the best guides for their students. During this private presentation, educators had an opportunity to relate their unique challenges and augment them to be in line with the latest industry trends.
January 17, 2020, 02:12 PM
https://michaelkammes.com/casestudy/lumaforge/
The Lumaforge Faster Together is a must-see NAB event each year. The goal of this talk was to raise awareness around remote/cloud editing and make it relevant to as many people as possible.
January 17, 2020, 02:12 PM
https://michaelkammes.com/casestudy/frame-io/
“Creative Technologist Michael Kammes gave us a peek at his vision for the future of post-production in the cloud. Michael presented a compelling case for the potential of cloud-based workflows…Understanding what goes into successful cloud-based media management and collaboration is required if you want to stay competitive in this industry.”
January 17, 2020, 02:12 PM
https://photography.tutsplus.com/articles/10-best-...
If you’re making a video, you want to be sure that your audience notices and remembers your brand. An impressive logo animation will stick in the minds of your viewers. In this article, we’ve put together our best After Effects logo animations from Envato Elements and Envato Market. Find the logo animation design that fits your brand perfectly!
January 16, 2020, 07:27 PM
https://www.redsharknews.com/post/item/6919-can-yo...
The democratisation of technology continues unabated, and one area in which this is becoming most noticeable is when it comes to affordable colour accurate monitors. Last year we interviewed colourist Andrea Vassalini about how he uses the Asus ProArt monitors, and how he thinks they empower producers on lower budgets.
January 16, 2020, 07:26 PM
https://www.pro-tools-expert.com/home-page/2020/1/...
It would seem that the reports that HDX was dead and buried may have been somewhat premature. At NAMM 2020 Avid is announcing two Thunderbolt 3 chassis solutions for Pro Tools HDX cards as well as a range of packages built around their new Thunderbolt 3 chassis. We have the details…
January 16, 2020, 07:26 PM
https://www.pro-tools-expert.com/home-page/2020/1/...
At NAMM 2020, Avid is showing their next interface, developed in partnership with DAD. It’s a 1U interface and monitor controller. In this article, we share all there is to know.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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