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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Animation/VFX BAFTA Award Nominations

January 8, 2020, 02:16 PM

https://www.rotoscopers.com/2020/01/07/animation-v...

It is that time once again for the British Academy of Film and Television Arts (BAFTAs) to honour the best in film with the 73rd BAFTA Awards! The major category nominations were revealed by actress Ella Balinska (2019’s Charlies Angles) and actor Asa Butterfield (Hugo) via a live-stream that took place on Tuesday morning (GMT).

Down to the wire: looking back at the VFX of 'Endg

January 8, 2020, 02:16 PM

https://beforesandafters.com/2020/01/08/down-to-th...

At the recent Oscars Visual Effects Bake-Off, Avengers: Endgame visual effects supervisor Dan DeLeeuw mentioned that the complex VFX work in the film was completed with just two-and-a-half weeks to spare before release.

3 Top Premiere Pro Templates For Retail

January 8, 2020, 02:16 PM

https://photography.tutsplus.com/articles/top-prem...

Running a shop is hard work. When it comes to your video marketing messages, we can help ease the strain. Try these three templates for Premiere Pro, designed especially with retail in mind.

Creating 1917’s Intense, Immersive Sound of War:

January 6, 2020, 10:00 PM

https://www.asoundeffect.com/1917-film-sound/

Sound Supervisor Oliver Tarney on creating the intense, immersive sound of war for 1917:

Apple Vs. RED: Was the REDCODE RAW Patentable or U

January 3, 2020, 03:35 PM

https://www.premiumbeat.com/blog/apple-vs-red/

In May, Apple filed a patent petition claiming that RED’s patent on REDCODE RAW was “Unpatentable” for a number of reasons. After the hearing, the court ruled in RED’s favor, stating that Apple’s legal team had not supported their claims sufficiently. This decision means that RED will retain the patent on its implementation of raw compression.

Editor For Once Upon A Time… Reveals The Scenes

January 3, 2020, 03:35 PM

https://lrmonline.com/news/quentin-tarantinos-film...

Clocking in at two hours and forty-one minutes, Once Upon A Time… In Hollywood fits the standard time length for a Quentin Tarantino film. Inglorious Basterds clocks in at two hours and thirty-three minutes, Django Unchained is two hours and forty-five minutes, and The Hateful Eight hits nearly two hours and fifty minutes. Long, detailed, dialogue-driven epics are common for Tarantino. However, in the case of Once Upon A Time… In Hollywood, the amount of footage cut from the film nearly equa...

Find the Funny: Tips for Directing and Editing a C

January 2, 2020, 04:36 PM

https://www.premiumbeat.com/blog/directing-editing...

Before a whole generation was ruined with aspirations of becoming Instagram, Vine, or now TikTok famous, there was a whole — slightly older — generation ruined by chasing ever-elusive fame on video sharing platforms like Funny or Die or just YouTube.

Capturing Sound with the New 32-Bit Floating Audio

January 2, 2020, 04:36 PM

https://www.premiumbeat.com/blog/capturing-sound-w...

Cameras that shoot RAW are more forgiving for new shooters. This new audio format — a 32-bit floating point — promises to do the same for sound capture.

Contender: Editors Monica Salazar & Dominic LaPerr

January 1, 2020, 04:39 PM

http://www.btlnews.com/awards/contender-portfolios...

When Shia LaBeouf wrote the screenplay Honey Boy, he based it on his childhood and the relationship with his own father. Honey Boy follows 12-year-old Otis (Noah Jupe) during his rise as a child TV star dealing with the abusive relationship with his father, played by Shia LaBeouf, as the pain carries on for a […] The post Contender: Editors Monica Salazar & Dominic LaPerriere Honey Boy appeared first on Below the Line.

Editor Maryann Brandon on editing The Rise of Skyw

January 1, 2020, 04:38 PM

https://www.fanthatracks.com/interviews/editor-mar...

The Force Awakens and The Rise of Skywalker editor Maryann Brandon discusses her process and how she structures the edit of a film with Steve Hullfish from ProVideo Coalition.

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