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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Tips for Shooting on Green Screen – Case Study

September 14, 2018, 06:14 AM

https://eks.tv/green-screen-shooting-tips/

Filming on green screen has its challenges. There are general tips you want to adhere to, which will get you most of the way to the best key possible in post production.

#vfx#visual effects#compositing#green screen
‘Game of Thrones,’ ‘The Alienist’ Win VFX

September 10, 2018, 01:44 PM

https://www.awn.com/news/game-thrones-alienist-win...

LOS ANGELES -- The Television Academy presented the first of its two 2018 Creative Arts Emmy Awards Ceremonies honoring outstanding artistic and technical achievement in television on Saturday night at the Microsoft Theater in Los Angeles. The ceremony, which kicked-off the 70th Emmys, awarded many talented artists and craftspeople in the categories of animation, scripted programming including comedy, drama and limited series.

The Meg VFX Breakdown

September 4, 2018, 09:34 AM

https://www.mpaa.org/2018/09/the-meg-vfx-breakdown...

The Meg was one of this summer’s more joyous films, giving us Jason Statham, a massive shark, and breakout star Kelly the dog (an actual dog). The movie was fun, silly, and again, had a 75-foot long prehistoric shark (the Megalodon, hence the film’s title) going tooth-to-toe with Statham’s deep-sea rescue diver Jonas Taylor. Now, we’ve got a look at how effects shop Scanline VFX helped create some of The Meg‘s wildest visuals, including the titular beast itself. While there are a ton o...

Avengers Infinity War - Hulkbuster VFX

August 27, 2018, 09:38 AM

https://www.mpaa.org/2018/08/avengers-infinity-war...

There were a lot of bleak moments in Avengers: Infinity War. There was that ending, of course, but that goes without saying. There were a lot of brutal moments leading up to the infamous Thanos snap. One moment, in particular, was watching Ebony Maw torture Doctor Strange.

Realtime ray tracing comes to games with Nvidia's

August 23, 2018, 06:59 AM

https://www.redsharknews.com/technology/item/5729-...

Nvidia continues to leverage its Turing technology with a set of new graphics cards aimed at gamers. Cologne, Germany, Nvidia has kicked off Gamescom...

Spotlight – Kyle McCulloch

August 22, 2018, 09:19 AM

http://cinefex.com/blog/spotlight-kyle-mcculloch/

Join us for this exclusive Q&A as we shine the Cinefex VFX spotlight on Kyle McCulloch, visual effects supervisor at Framestore ...

Creating infinity wars second scariest villan

August 22, 2018, 09:19 AM

https://www.mpaa.org/2018/08/see-how-avengers-infi...

We’ve shared German digital studio RISE’s VFX reel showcasing how they created Avengers: Infinity War‘s devastating (but slightly hopeful!) post-credits scene. We’ve published Weta Digital’s VFX reel that gave us a glimpse of how they constructed that epic battle on Titan. We’ve also given you a look at how Framestore built Tony Stark’s brand new nanotechnology-powered Mark L Iron Man suit. This is all part of the bonus material boon that attends Infinity War‘s release on digital...

Red Giant Shortcuts: Make Your Footage Look Cinema

August 21, 2018, 12:14 PM

https://www.toolfarm.com/blog/entry/tutorial_red_g...

Red Giant is back with another episode of Shortcuts. In this tutorial, Premiere Gal gives you some great tips on how to quickly make your videos or vlogs look cinematic with Red Giant Magic Bullet’s Looks and Colorista, and also, Universe Finisher.

10 AE Templates for Parallax Scrolling BGs

August 18, 2018, 07:02 AM

https://photography.tutsplus.com/articles/10-top-a...

Parallax effects are a great way to add movement to your project, without using a complicated video. Here are ten of the best parallax video effects at Videohive for Adobe After Effects.

Creating the Size-Shifting Car Chase

August 15, 2018, 05:23 AM

http://vfxvoice.com/creating-the-size-shifting-car...

Creating the Size-Shifting Car Chase in ANT-MAN AND THE WASP | VFX Voice Magazine

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