It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 10, 2015, 04:56 AM
http://www.alphr.com/adobe/1001114/adobe-premiere-...
Video editing has always been an intensive process, heavily reliant on processor grunt and high-speed local storage. As such, Premiere Pro has always sat awkwardly alongside Adobe’s more web-friendly apps – an application apart in a suite of highly interconnected software components.
July 9, 2015, 12:29 PM
http://www.definitionmagazine.com/journal/2015/7/9...
After many months of research, Marco Solorio of OneRiver Media decides to finally upgrade the master edit suite’s Mac Pro tower with new hardware to aid in the ever growing need for more power. Is this silver cheese grader of old still worthy of such a task?
July 2, 2015, 05:41 AM
http://www.editvideofaster.com/23-posts-about-post...
I’ve been writing for my friends over at ScreenLight for…well…a long time. It’s been over two years and in the Internet world that’s a really long time. Over that time I’ve been able to stockpile a bunch of writings that I want to share with you today. 23 of them to be exact.
June 29, 2015, 04:39 AM
http://24p.com/wordpress/?p=224
There are only a few ways to get metadata into Media Composer - either it comes with the media (essence) and available via AMA or in the MXF wrapper, via AAF, or an ALE file. ALE has been the go-to format since the original Avid/1 as it was the interchange between Media Composer and MediaMatch, the film match-back program.
June 25, 2015, 05:41 PM
http://jalopnik.com/how-we-made-top-gear-171388220...
Top Gear script editor Richard Porter explains how they used to put the show together and what it was like to be at the cutting edge of cocking about.
#editing#production#tv#top gearJune 16, 2015, 04:48 PM
http://www.cinema5d.com/adobe-creative-cloud-2015/
Adobe users, wait no longer. Creative Cloud 2015 is here. This update gives video editors many powerful new tools, but in-app color grading gets a significant step up.
June 16, 2015, 07:29 AM
http://jonnyelwyn.co.uk/film-and-video-editing/how...
Learn what goes into a DIT cart in about 25 minutes with these excellent videos. Learn what's new with Thunderbolt 3 and OS X El Capitan and a bit more in this post-production tech post...
#post production#dit#equipment#thunderbolt 3June 14, 2015, 04:30 PM
Now that narrative content is being considered, VR post production eventually will become something more for editors to become familiar with.
#editing#filmmaking#entertainment#cinematography#media trends#vr#virtual reality#e3June 14, 2015, 03:28 AM
https://digitalfilms.wordpress.com/2015/06/13/the-...
Last October I wrote about the roundtrip workflow surrounding Final Cut Pro X and Resolve, particularly as it relates to working with RED camera files. This month I’ve been color grading a small, indie feature film shot with RED One cameras at 4K resolution. The timeline is 1080p. During the course of grading the film…
June 4, 2015, 12:26 PM
http://www.editvideofaster.com/otes-part4/
This is Part IV and the final chapter in a series called Over the Editor’s Shoulder where I document my daily progress on a freelance editing project I’m working on. I chronicle what I do in the edit bay, what I learn, my struggles, failures, successes and more.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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