It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 7, 2018, 11:14 AM
https://blog.frame.io/2018/02/07/editorial-style/
As CEO of EditStock I review hundreds of cuts each year. As you can imagine, I’m very familiar with the mistakes most burgeoning editors make, but there’s one area in particular they all seem to struggle with: Style.
February 7, 2018, 11:09 AM
https://blog.frame.io/2018/02/07/editorial-style/
As CEO of EditStock I review hundreds of cuts each year. As you can imagine, I’m very familiar with the mistakes most burgeoning editors make, but there’s one area in particular they all seem to struggle with: Style.
#editing#premiere#editstock#misha tenenbaum#frame#styleFebruary 7, 2018, 10:38 AM
https://www.aotg.com/season-5-of-the-adoramatv/
AdoramaTV, the leading video streaming and on-demand platform for photographers and filmmakers, will premiere season 5 of its original documentary series, “Through The Lens: Canada,” on February 7, 2018.
#documentary#technology#art#tv#series#photography#adorama#television#videography#through the lens#canada#docu-series#video streamingFebruary 2, 2018, 01:07 PM
https://blog.ritualmusic.com/five-essential-habits...
It is so important to develop clarity in practice of creativity. Filmmaking is a practice. Just like dance or songwriting or painting are practices. It takes repetition and exploration to develop ability. The best creativity often comes in a flash of inspiration. So it is in the creative person’s best interests to pay attention to what she focuses on and to develop inspiring work habits and routines.
#filmmaking#tips#videography#habitsFebruary 2, 2018, 02:55 AM
https://jonnyelwyn.co.uk/film-and-video-editing/po...
Here are some of my favourite podcasts for editors and other post pros, as well as some other recommendations from me, as an editor. Hit the comments to let me know what I'm missing out on!
#film editing#post production#podcasts#coloristJanuary 30, 2018, 01:55 PM
http://filmmakermagazine.com/104729-editing-is-the...
Zach Clark is a familiar name on this site for his work as a director; he's also a full-time editor. In this brief Q&A, Clark discusses his work on Hannah Fiddell's The Long Dumb Road, a road movie and buddy comedy that winds from Texas to Los Angeles. Click here for more from DP Andrew Droz Palermo on the film's production.
January 30, 2018, 06:26 AM
https://www.digitaltrends.com/movies/ruth-bader-gi...
rom her workouts to her dissents and sparkly collars, the Supreme Court justice has earned the moniker that lawyer Shana Knizhnik gave her back in 2013, with the Notorious RBG Tumblr. A new documentary about the 84-year-old Ginsburg debuted at the 2018 Sundance Film Festival. Julie Cohen, creator of Court TV’s Supreme Court Watch, and Betsy West, a filmmaker and professor at the Columbia School of Journalism, directed the film. Digital Trends spoke with RBG’s editor, Carla Gutierrez, about w...
January 29, 2018, 06:07 PM
http://cinemontage.org/2018/01/replacing-kevin-spa...
The production and post-production of Ridley Scott’s All the Money in the World is one of the most fascinating filmmaking stories of the past year, perhaps the decade. The film tells the true story of the 1973 kidnapping of 16-year old J. Paul Getty III (Charlie Plummer), grandson of billionaire J. Paul Getty (originally Kevin Spacey, but now Christopher Plummer). The film follows the efforts of the younger Getty’s mother (Michelle Williams) as she tries to get the ransom money from her weal...
January 27, 2018, 05:14 AM
https://www.creativebloq.com/features/best-compute...
Looking for a desktop setup to edit video? We've picked out a selection of incredible computers that will make your footage look fantastic.
January 25, 2018, 10:28 AM
http://variety.com/2018/artisans/awards/suite-on-t...
When most people picture a film editor at work, they see someone in a dark, quiet room — illuminated only by multiple monitors — meticulously cutting together scenes that arrive from sets all over the world.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.