It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 10, 2015, 04:14 PM
http://www.vice.com/read/legendary-rick-bakers-ret...
Rick Baker is closing up shop. The legendary special-effects and makeup creator recently announced that he would be shuttering his studio and auctioning off 400 of his best-known props. Baker's career included some of the most enduring effects imagery of the 20th century, including work on The Exorcist, Star Wars, the "Thriller" music video, and Men in Black. For 35 years, his iconic costumes, makeup, and props defined film effects just prior to our own age of computer-generated imagery. The auc...
June 8, 2015, 09:44 AM
http://www.creativeplanetnetwork.com/flink/610164
Despite optimistic technologists throughout the 20th century predicting ‘one day all films will be in three dimensions’, 3D is usually a response to periods of crisis in the movie industry. The first spate of 3D was in the 50s when TV was seen (rightly) as the huge threat. We still get revivals of classics form this era, made using the anaglyph system of glasses with one red and one green (or cyan) filter, like Hitchcock’s Dial M For Murder and Jack Arnold’s Creature From The Black Lagoo...
June 4, 2015, 08:21 PM
http://variety.com/2015/film/news/san-andreas-visu...
After a series of devastating earthquakes strike California in “San Andreas,” the Hoover Dam ruptures, downtown Los Angeles is little more than a burnt-out husk of its previous splendor and much of San Francisco is pushed out into the Pacific Ocean by a massive tsunami.
June 4, 2015, 08:21 PM
http://nofilmschool.com/2015/06/cinematography-vfx...
If you were tasked with shooting an extremely trippy hallucination sequence, what techniques would you use?
June 1, 2015, 04:18 PM
http://www.awn.com/news/vfx-awesomeness-kung-fury-...
Swedish VFX and animation studio Fido creates hundreds of 80s-tinged VFX shots with everything from green screen compositing to characters riding atop a Tyrannosaurus Rex for David Sandberg’s ‘Kung Fury.’
June 1, 2015, 04:54 AM
https://news.creativecow.net/story/879014
What do you get if you combine kung fu, Hitler, time travel, vikings gods, anthropomorphic arcade cabinets – a tiny dash of David Hasselhoff – and then cover it in lashings of retro neon? Well there’s only one thing you can get, really – Kung Fury.
May 31, 2015, 08:38 AM
http://www.fubiz.net/en/2015/05/29/interstellar-fi...
Here are the pictures of the movie’s stage Interstellar, by Christopher Nolan, that shows how this beautiful finale scene in the library (the tesseract) h
May 28, 2015, 09:30 AM
http://www.artofvfx.com/?p=11849
In last March, Chris Harvey talked in detail about the work of Image Engine on CHAPPIE by Neill Blomkamp. As for Bernhard Kimbacher, he had detailed to us his work on LONE SURVIVOR last year.
May 22, 2015, 02:12 AM
http://videoandfilmmaker.com/wp/index.php/features...
Sitting at the feet of master VFX artists, Guest writer Lex de Vroomen tells us what he learnt about the creation of Groot & Rocket from 'Guardians of the Galaxy', the practical on-set effects on 'Interstellar' and the creative pipeline of a photo-realistic CG orangutan. This is a great read!
#vfx#post production#compositing#cg#practical effectsMay 20, 2015, 04:09 PM
http://www.awn.com/vfxworld/animation-and-vfx-summ...
Buckle up for Sumer Blockbuster Season people: it’s here in all its glory. And in spite of the fact that the films are mostly remakes, reboots, franchise continuations and spinoffs – whether animated or VFX-laden – they’re all looking pretty darn good...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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