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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

12 Of The Best Free AAX Plug-ins - Have You Seen A

April 27, 2019, 05:26 AM

https://www.pro-tools-expert.com/home-page/2019/4/...

In our regular Friday Free plug-in posts we feature a different free AAX plug-in for the community. These cover everything from distortion and bitcrushing, through reverbs and delays, compressors and EQs and even utility tools such as loudness meters. While there might not be as many free plug-ins around in the AAX format as there are for VST, there is still plenty out there if you know where to look.

Vegas Daze NAB 2019

April 26, 2019, 06:22 AM

https://www.definitionmagazine.com/journal/2019/4/...

The visitor numbers might be down at this huge broadcast show, but the organisers have been quick to react – and we still had a great show.

Friday Free Plug-in - Tempo Delay From Voxengo

April 26, 2019, 06:21 AM

https://www.pro-tools-expert.com/home-page/2019/25...

In this week's Friday Free Plug-in, we are featuring Tempo Delay From Voxengo. A free, fully featured delay plug in which adds filters and tremolo to the delay section.

Speeding Up Project Organization with Post Haste

April 26, 2019, 06:21 AM

https://nofilmschool.com/speeding-project-organiza...

Post Haste, a free project organizational tool for PC and Mac OS X. It isn’t a new tool, but it is quite powerful and worth having a look at to simplify your project structure.

Review of Lacie 4TB Rugged RAID Pro

April 25, 2019, 06:19 AM

https://noamkroll.com/review-of-the-lacie-4tb-rugg...

I haven’t done a gear review in a while, but after putting my new Lacie 4TB Mini RAID to the test this week I was inspired to share my results.

The Top 3 Trends at NAB 2019

April 23, 2019, 06:14 AM

https://www.premiumbeat.com/blog/top-3-trends-nab-...

It was a pretty quiet year as far as new cameras go, but that meant that some other technologies took center stage at NAB 2019. Let’s take a closer look.

Thunderbolt storage - made bigger and faster

April 23, 2019, 06:14 AM

https://www.redsharknews.com/production/item/6307-...

One of the eternal rules in production and post production is that media will always expand to fill the space you allocate it + a bit more. There is always too much, and individual operators and small to medium post houses have tended to struggle on with NAS devices as they don’t have the room nor the budget for rack system storage.

Resolve 16: Hands on with the new Cut Page

April 19, 2019, 05:46 AM

https://www.redsharknews.com/post/item/6303-davinc...

A year or so back I took the plunge and invested in DaVinci Resolve Studio 15. Previously I had used FCP X with a smidgen of Adobe Premiere thrown in for compatibility with one of my clients. But I had usually used Resolve for correction and grading - well as far as what this non full time 'colourist' can class as grading at any rate. So it made sense with Resolve's ever increasing NLE abilities to gradually move over. Particularly as I was using it increasingly more.

Warrior: John Likens VFX Interview

April 17, 2019, 11:01 AM

https://www.artofvfx.com/warrior-john-likens-creat...

In 2018, John Likens explained to us the work of Method Studios on the opening and end titles sequences of DEADPOOL 2. He talks to us today about his work on the main title sequence of WARRIOR.

NAB 2019: Less is more with Resolve 16

April 17, 2019, 11:01 AM

https://www.redsharknews.com/production/item/6295-...

Blackmagic Design's Technical Sales Director, Craig Heffernan, takes us through some of the new features in both Resolve 16 and the recently announced URSA Mini Pro G2 Camera on the NAB2019 showfloor.

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